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<em>Vintage Contemporaries</em>: Dan Kois on the Joys and Sorrows of Literary New York in the 1990s and 2000s

Vintage Contemporaries: Dan Kois on the Joys and Sorrows of Literary New York in the 1990s and 2000s

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | January 12, 2023

Why Dan Kois Created a Laurie Colwin-Esque Character in His New Novel

Why Dan Kois Created a Laurie Colwin-Esque Character in His New Novel

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | January 12, 2023

Russell Banks on the Time He Fled Bread Loaf with Nelson Algren

Russell Banks on the Time He Fled Bread Loaf with Nelson Algren

Algren Got Fired, Banks Made a Friend

By Adam Colman | January 11, 2023

Kashana Cauley: “I Tell Jokes About Things That I Am Angry About.”

Kashana Cauley: “I Tell Jokes About Things That I Am Angry About.”

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 11, 2023

On <em>Seinfeld</em> and the Mundane Fantasy World of the Three-Camera Sitcom

On Seinfeld and the Mundane Fantasy World of the Three-Camera Sitcom

“I’d trade every vacation I’ve ever taken for a life of drop-ins with friends and family and a refrigerator that magically replenishes itself.”

By Sean Adams | January 11, 2023

“Just Fade to White, Dear.” Aminatta Forna Remembers Fay Weldon

“Just Fade to White, Dear.” Aminatta Forna Remembers Fay Weldon

“She didn’t give a hoot what anyone thought.”

By Aminatta Forna | January 10, 2023

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Suzanne Berne Asks Us, Why Write a Novel, Why Read a Novel, and Why Now?

By Suzanne Berne | January 10, 2023

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

By Teddy Wayne | January 10, 2023

Sean Adams: Melding Corporate Office Culture Into a Dystopian Horror Novel

By Otherppl with Brad Listi | January 10, 2023

Christine Sneed on Leaning Into the Absurdity of Office Life

Christine Sneed on Leaning Into the Absurdity of Office Life

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But

By I'm a Writer But | January 10, 2023

That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”

That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”

“With me an unfinished thing is a thing that might as well be rubbed out.”

By Matthew Hollis | January 9, 2023

Peter Cole on Making the Poetic Abstract Concrete

Peter Cole on Making the Poetic Abstract Concrete

The Poet on His New Collection Draw Me After

By Literary Hub | January 9, 2023

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 9, 2023

Nothing is Real: Craig Brown on the Slippery Art of Biography

Nothing is Real: Craig Brown on the Slippery Art of Biography

“Biography as a form is necessarily artificial. In the end, all biography is a form of fiction.”

By Craig Brown | January 8, 2023

The Sanctity of a Journal: On Private Writing in the Age of Public Content

The Sanctity of a Journal: On Private Writing in the Age of Public Content

“What stories do we owe each other—ourselves?”

By Rachel Schwartzmann | January 6, 2023

We <em>Can’t</em> Do It: How Women’s Contributions to Fighting Fascism Were Forgotten

We Can’t Do It: How Women’s Contributions to Fighting Fascism Were Forgotten

Natasha Lester on the Collective Amnesia Around Women’s Accomplishments After World War II

By Natasha Lester | January 6, 2023

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