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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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    • From the Novel
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    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
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  • Log In
On Literary Empathy and the Performative Reading of Palestinian Authors

On Literary Empathy and the Performative Reading of Palestinian Authors

Etaf Rum Considers Reading and Writing During Times of Crisis

By Etaf Rum | November 16, 2023

Nina LaCour on Finding a Story in Her Own Backyard

Nina LaCour on Finding a Story in Her Own Backyard

On Long Walks, Routines, and the Strange and Wonderful Joy of Writing a Book

By Nina LaCour | November 16, 2023

Ed Park on Panoramic Storytelling

Ed Park on Panoramic Storytelling

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 16, 2023

What Working Minimum-Wage Jobs Taught Me About Writing Novels

What Working Minimum-Wage Jobs Taught Me About Writing Novels

Joanne McNeil on Patricia Highsmith, Classism, and Finding Raw Material in Staff Workrooms

By Joanne McNeil | November 14, 2023

Ziwe on Not Sharing Too Much, But Sharing Enough

Ziwe on Not Sharing Too Much, But Sharing Enough

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 14, 2023

Athena Dixon on Being a Human Being, Not a Brand

Athena Dixon on Being a Human Being, Not a Brand

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | November 14, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Tatiana Johnson-Boria on Writing Poems Like Film Montages

By Literary Hub | November 13, 2023

Write-minded Offers a Mid-NaNoWriMo Pep Talk

By Memoir Nation | November 13, 2023

Edgar Kunz on Knowing When a Poem is Finished

By First Draft: A Dialogue on Writing | November 13, 2023

Happy Endings Redefined: Why There Should Be More Books About Breakups

Happy Endings Redefined: Why There Should Be More Books About Breakups

Hannah Sloane on the Romance Genre, Celebrating Being Single, and How She Wrote Her Debut Novel

By Hannah Sloane | November 10, 2023

Chin-Sun Lee on Writing Landcape

Chin-Sun Lee on Writing Landcape

"I know that wherever I am, when I stop to pay attention, some kind of story will emerge."

By Chin-Sun Lee | November 10, 2023

Abraham Verghese: A Writer in the World

Abraham Verghese: A Writer in the World

In Conversation on Sun Valley Writers’ Conference’s Beyond the Page

By Sun Valley Writers' Conference | November 10, 2023

Stephanie Land On Allowing Herself To Get Angry

Stephanie Land On Allowing Herself To Get Angry

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 9, 2023

Lisa Gornick on Writers Truly Knowing Their Fictional Characters

Lisa Gornick on Writers Truly Knowing Their Fictional Characters

In Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2023

Reese Hogan on Sentience, Humanity, and Robots

Reese Hogan on Sentience, Humanity, and Robots

In Conversation with Brenda Noiseux & Rob Wolf on the New Books Network

By New Books Network | November 9, 2023

Robin Lane Fox on Why We Still Read Homer

Robin Lane Fox on Why We Still Read Homer

From The History of Literature Podcast with Jacke Wilson

By History of Literature | November 8, 2023

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Page 62 of 257
    • The Best Psychological Thrillers of November 2025November 7, 2025 by Molly Odintz
    • From Spies and Matrons to Miami Vice: A Short History of Women in Law EnforcementNovember 7, 2025 by Alie Dumas Heidt
    • Cheryl Isaacs on Cliffhanger Endings and Keeping Readers Invested Until the Last PageNovember 7, 2025 by Cheryl Isaacs
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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