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  • Craft and Criticism
    • Literary Criticism
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John Milas on the Specificity of Terror 

John Milas on the Specificity of Terror 

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | May 2, 2023

Rebecca Carroll on Writing About Family with Honesty

Rebecca Carroll on Writing About Family with Honesty

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | May 2, 2023

Katie Hafner on Kafka, Silicon Valley and the True Story Behind the <em>The Boys</em>

Katie Hafner on Kafka, Silicon Valley and the True Story Behind the The Boys

In Conversation with Andrew Keen on Keen On

By Keen On | May 2, 2023

Jenny Odell on Timing Our Lives in Rhythm With the Earth

Jenny Odell on Timing Our Lives in Rhythm With the Earth

This Week from the Emergence Magazine Podcast

By Emergence Magazine | May 1, 2023

The Six Films that Helped Spark a Black Film Renaissance

The Six Films that Helped Spark a Black Film Renaissance

From The History of Literature Podcast with Jacke Wilson

By History of Literature | May 1, 2023

Sophia McClennen on How Satire Makes Sense of a President Who Didn’t

Sophia McClennen on How Satire Makes Sense of a President Who Didn’t

In Conversation with Andrew Keen on Keen On

By Keen On | May 1, 2023

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

Ann Lauterbach: On the Value of Effective Language After Trump’s Presidency

By First Draft: A Dialogue on Writing | May 1, 2023

David Grann: Diving Into History, the Trials of a Sea Voyage, and Sailing the Gulf of Pain

By The Literary Life | April 28, 2023

Just the Right Book: What We’re Reading

By Just the Right Book | April 28, 2023

Ralph Yarl, Defunding Libraries, and (Re)Writing Kansas City: On Crafting New Narratives in a Divided City

Ralph Yarl, Defunding Libraries, and (Re)Writing Kansas City: On Crafting New Narratives in a Divided City

José Faus, C.J. Janovy, and Desideria Mesa in Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | April 27, 2023

Practice Makes Perfect, and Also Nothing Matters: Emily St. John Mandel on Revision and Recklessness

Practice Makes Perfect, and Also Nothing Matters: Emily St. John Mandel on Revision and Recklessness

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | April 27, 2023

Claire Dederer on Embracing Subjectivity

Claire Dederer on Embracing Subjectivity

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 27, 2023

Jennifer Egan on the Fascinating Interactions Between Technology and Inner Life

Jennifer Egan on the Fascinating Interactions Between Technology and Inner Life

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | April 25, 2023

Claire Dederer on Embracing Ambiguity and Writing for the Good Faith Reader

Claire Dederer on Embracing Ambiguity and Writing for the Good Faith Reader

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | April 25, 2023

Writers, Let’s Talk About Money

Writers, Let’s Talk About Money

Rachael Herron Guests on the Write-minded Podcast

By Memoir Nation | April 25, 2023

Courtney Zoffness on Accidentally Writing an Essay Collection 

Courtney Zoffness on Accidentally Writing an Essay Collection 

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | April 25, 2023

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Page 52 of 215
    • Tracy Clark on Writing a Black Female DetectiveDecember 3, 2025 by Tracy Clark
    • 10 Thrilling Mystery Films That Feature TrainsDecember 3, 2025 by Michael Ledwidge
    • Gianni Russo on the Mafia, Unions, and Why You'll Never Find Jimmy Hoffa's RemainsDecember 3, 2025 by Gianni Russo
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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