Olivia Rutigliano

FX’s Great Expectations Doesn’t Measure Up

Steven Knight’s Miniseries Makes Interesting Points About Empire and Womanhood, but They Get Lost in a Sea of Gratuitous Darkness

“Today’s Assignment: Kick Some Ass.” Top Gun: Maverick, School of Rock, and the Cool Teacher Movie

The Teacher Protagonists of These Movies Don’t Teach Their Students to Excel—They Teach Them to Rebel

That time Disneyland Paris built a Space Mountain ride themed after Jules Verne.

There are surprisingly few glaring omissions in this year’s Oscar Nominations!

White Noise is a Vibrant, Unafraid, and Compelling Film

Olivia Rutigliano on Noah Baumbach’s Successful New Adaptation of Don DeLillo's Classic, Un-filmable Novel

The Teenage Cannibal Movie for Our Time? Bones and All Ate Me Right Up

Luca Guadagnino’s Adaptation of Camille DeAngelis’s Novel is Rich, Sad, and All-Consuming

Frederick Wiseman’s Un Couple is a Peek into the Mind of Sophia Tolstoy

Olivia Rutigliano on the Hour-Long Imagined Monologue About One of Literature's Most Famous Marriages

Triangle of Sadness is a Satire That Skillfully Goes Overboard

Olivia Rutigliano on Ruben Östlund’s New Palme d'Or-Winning Comedy

The Slow Reveal of Obvious Things: On Olivia Wilde’s Much Talked-About Film, Don’t Worry Darling

“Who doesn’t enjoy fastidious, detailed-oriented direction?”

Loving Highsmith Peeks into Patricia Highsmith’s Guarded Interior Life

The New Film from Eva Vitija Asks Us to Consider Highsmith’s Vulnerability