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Craft and Criticism
Literary Criticism
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On Translation
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From the Novel
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Science
Politics
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Style
Design
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The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
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The Best of the Decade
Book Marks
Best Reviewed Books
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True Crime
The Daily Thrill
Log In
Olivia Rutigliano
Renfield
Doesn’t Know What to Do With Itself
The
Dracula
Relationship Comedy Starts Off Strong, and Then Lowers Its Stakes to Become... a Buddy Cop Movie
By
Olivia Rutigliano
| April 14, 2023
How to Blow Up a Pipeline
is a Brisk Thriller and a Passionate Argument for Revolution
The Fictionalization of Andreas Malm’s 2021 Manifesto Asks How Far We Should Go to Fight Climate Destruction and Injustice
By
Olivia Rutigliano
| April 7, 2023
The Lost King
is a Jubilant Story of Historical Discovery and Overdue Recognition
The New Film From Stephen Frears and Steve Coogan Gives Credit to the Woman Who Found Richard III’s Lost Grave
By
Olivia Rutigliano
| March 31, 2023
FX’s
Great Expectations
Doesn’t Measure Up
Steven Knight’s Miniseries Makes Interesting Points About Empire and Womanhood, but They Get Lost in a Sea of Gratuitous Darkness
By
Olivia Rutigliano
| March 31, 2023
Lucky Hank
is an Exhausted Academic Satire
Olivia Rutigliano on the New AMC Series That Adapts Richard Russo's 1997 novel
Straight Man
By
Olivia Rutigliano
| March 17, 2023
“Today’s Assignment: Kick Some Ass.”
Top Gun: Maverick
,
School of Rock
, and the Cool Teacher Movie
The Teacher Protagonists of These Movies Don’t Teach Their Students to Excel—They Teach Them to Rebel
By
Olivia Rutigliano
| March 10, 2023
Best Reviewed
Books of the Week
If you quote a Dickens character in a piece on weight loss drugs, don’t pick one who starves kids?
By
Olivia Rutigliano
| February 27, 2023
That time Disneyland Paris built a Space Mountain ride themed after Jules Verne.
By
Olivia Rutigliano
| February 1, 2023
What did Shakespeare mean when he wrote "let's kill all the lawyers?"
By
Olivia Rutigliano
| January 25, 2023
There are surprisingly few glaring omissions in this year’s Oscar Nominations!
By
Olivia Rutigliano
| January 24, 2023
Nicolas Cage as Dracula! Yes, the trailer for
Renfield
has arrived.
By
Olivia Rutigliano
| January 5, 2023
White Noise
is a Vibrant, Unafraid, and Compelling Film
Olivia Rutigliano on Noah Baumbach’s Successful New Adaptation of Don DeLillo's Classic, Un-filmable Novel
By
Olivia Rutigliano
| December 21, 2022
Steven Spielberg’s
The Fabelmans
is a Beautiful Memory
The Director’s Autobiographical Film is Humble, Loving, and Mostly About Other People
By
Olivia Rutigliano
| November 23, 2022
The Teenage Cannibal Movie for Our Time?
Bones and All
Ate Me Right Up
Luca Guadagnino’s Adaptation of Camille DeAngelis’s Novel is Rich, Sad, and All-Consuming
By
Olivia Rutigliano
| November 22, 2022
She Said
Is an Effective, Respectful Journalism Movie
The Film Constructively, Caringly Reenacts Jodi Kantor and Megan Twohey’s Investigation into the Crimes of Harvey Weinstein
By
Olivia Rutigliano
| November 18, 2022
Frederick Wiseman's
Un Couple
is a Peek into the Mind of Sophia Tolstoy
Olivia Rutigliano on the Hour-Long Imagined Monologue About One of Literature's Most Famous Marriages
By
Olivia Rutigliano
| November 4, 2022
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Page 3 of 7
All the Other times the Louvre was Robbed
October 21, 2025
by
Olivia Rutigliano
Sapphic Sleuths, Magicians, Lesbian Nuns, and More: Eight Queer Mysteries for Every Mood
October 21, 2025
by
CrimeReads
Love Thy Neighbor, and Watch Thy Back: Why Neighbors Kill Each Other in Literature (and Life)
October 21, 2025
by
Chuck Storla