Olivia Rutigliano

Paul Giamatti,
This One’s For You: In Praise of the King of Pathos

Olivia Rutigliano on the Actor Who Has Never Once Phoned in a Performance

Poor Things is a Curious Phantasmagoria

Olivia Rutigliano on Yorgos Lanthimos’s (Best) New Film

Illustrator Neil Packer Goes Behind-the-Scenes of Folio’s Complete Plays of Shakespeare.

The Holdovers is a Revelation

Alexander Payne's new film is perfect, full stop.

Did J.D. Salinger Wield Copyright as Self-Protection?

"Copyright protections can stop a work from being copied, pirated, poached. They can't stop it from being misunderstood."

Greta Gerwig’s Barbie is a Fascinating, Spectacular Philosophical Experiment

Barbie Literalizes the Abstract and Abstracts the Literal in an Engaging, Thought-Provoking Inquiry into the Female Experience

Indiana Jones: Here We Go Again

Indiana Jones and the Dial of Destiny is a Rousing, Genuinely Entertaining Return to the Franchise

Asteroid City is Wes Anderson’s Metaphysical Masterpiece

A Lovely Meditation on Unknowable Phenomena of All Kinds: Love, Death, and Aliens

Paul Schrader’s Master Gardener Doesn’t See the Forest for the Trees

The Third of Schrader's “God's Lonely Men” Trilogy Promises a Fruitful Plot but Is Sadly Under-Seeded

Blind Willow, Sleeping Woman is an Uncanny, Stirring Film and a Worthy Tribute to Haruki Murakami

Pierre Földes’ Animated Film is Based on Six Murakami Stories, and Adeptly Captures Their Eerie, Longing Tones