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Olivia Rutigliano

Olivia Rutigliano
Olivia Rutigliano is an Editor at Lit Hub and CrimeReads. She is also a Contributing Editor at Bright Wall/Dark Room. Her other work appears in Vanity Fair, Vulture, Lapham's Quarterly, the Los Angeles Review of Books, Public Books, The Baffler, Politics/Letters, The Toast, Truly Adventurous, PBS Television, and elsewhere. She is a PhD candidate and the Marion E. Ponsford fellow in the departments of English/comparative literature and theatre at Columbia University, where she specializes in nineteenth and early twentieth-century literature and entertainment.


What are these serial killer subplots doing in Nora Ephron movies?

May 13, 2022  By Olivia Rutigliano
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Dispatches from this year’s New York International Antiquarian Book Fair.

April 25, 2022  By Olivia Rutigliano
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On the High-Flying Self-Actualization of The Flight Attendant’s Second Season

Olivia Rutigliano on the Continuation of HBO Max's Espionage Comedy
April 15, 2022  By Olivia Rutigliano
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🚨BREAKING🚨 Nicolas Cage’s favorite literary character is Dimitri Karamazov.

April 13, 2022  By Olivia Rutigliano
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Turns out, Kareem Abdul-Jabbar wrote an episode of Veronica Mars.

April 7, 2022  By Olivia Rutigliano
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Charles Dickens was an amateur magician who often performed at his friends’ kids’ birthday parties.

April 5, 2022  By Olivia Rutigliano
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Steven Spielberg’s West Side Story is a Technical Masterpiece, Despite its Sprawling Script

Olivia Rutigliano on the Adaptation of a Classic Mid-Century Musical
March 25, 2022  By Olivia Rutigliano
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CODA is a Moving Representation of the Many Varieties of Expression

Olivia Rutigliano on the Best Picture Contender
March 24, 2022  By Olivia Rutigliano
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With Belfast, Kenneth Branagh Hits Peak Irresistible

Olivia Rutigliano on Branagh’s Sentimental New Film
March 22, 2022  By Olivia Rutigliano
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In The Last Days of Ptolemy Grey, Samuel L. Jackson Plays the Role of a Lifetime

Olivia Rutigliano on the New Adaptation of Walter Mosley’s Novel
March 11, 2022  By Olivia Rutigliano
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The Batman is a Dark and Fascinating Riddle

Matt Reeves’s New Film is First and Foremost a Detective Story
March 11, 2022  By Olivia Rutigliano
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On the Coen Brothers’ Bitter, Brokenhearted Noir,
Miller’s Crossing

Olivia Rutigliano Reflects on the Classic Gangster Film as It Heads to the Criterion Collection
February 9, 2022  By Olivia Rutigliano
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On The Afterparty and the Rise of the “Millennial Whodunnit”

Olivia Rutigliano Takes Stock of the Star-Studded New Show
January 28, 2022  By Olivia Rutigliano
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The Tragedy of Macbeth is a Breathtaking Exercise in Transformation

Olivia Rutigliano on Joel Coen’s New Shakespearean Adaptation
January 14, 2022  By Olivia Rutigliano
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In Licorice Pizza, Everyone is Pretending to Be a Grown-Up. Especially the Grown-Ups.

Olivia Rutigliano on Paul Thomas Anderson’s Latest Film
December 17, 2021  By Olivia Rutigliano
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Could Guillermo del Toro’s Nightmare Alley Use More Tricks Up Its Sleeve?

Olivia Rutigliano on the Self-Sabotaging Desire to Show One’s Hand
December 10, 2021  By Olivia Rutigliano
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Watching a Magazine, Reading a Movie: On Wes Anderson’s The French Dispatch

In Which Olivia Rutigliano “Reads” the Director’s Oeuvre
October 22, 2021  By Olivia Rutigliano
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The Chair Castigates Every Academic Archetype, With Good Reason

Olivia Rutigliano on Hollywood Depictions of the University
September 3, 2021  By Olivia Rutigliano
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Who Gets to Be a Sympathetic Character in The Undoing?

On Victimhood as a Privilege of Whiteness
December 4, 2020  By Olivia Rutigliano
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The 52 Best Draculas, Ranked

There's a lot at *stake* when it comes to picking pop culture's best Dracula. *Count* them down with us.
October 30, 2020  By Olivia Rutigliano
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