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Louise Kennedy on Discovering Fiction’s Complex Emotional Truths

Louise Kennedy on Discovering Fiction’s Complex Emotional Truths

Jane Ciabattari Talks to the Author of The End of the World is a Cul de Sac

By Jane Ciabattari | December 19, 2023

Kate Christensen on Allowing Characters to Tell Their Own Stories

Kate Christensen on Allowing Characters to Tell Their Own Stories

Jane Ciabattari Talks to the Author of Welcome Home, Stranger

By Jane Ciabattari | December 5, 2023

Naomi Alderman on Creating a Fictional Tech Dystopia

Naomi Alderman on Creating a Fictional Tech Dystopia

Jane Ciabattari Talks to the Author of The Future

By Jane Ciabattari | November 21, 2023

Sigrid Nunez on the Process of Writing a Pandemic Novel

Sigrid Nunez on the Process of Writing a Pandemic Novel

Jane Ciabattari Talks to the Author of The Vulnerables

By Jane Ciabattari | November 7, 2023

Marie Ndiaye on a Novel's Many Twists and Turns

Marie Ndiaye on a Novel's Many Twists and Turns

Jane Ciabattari Talks to the Author of Vengeance Is Mine

By Jane Ciabattari | October 24, 2023

Daniel Gumbiner on Wildfires, Winemaking, and Writing Fiction

Daniel Gumbiner on Wildfires, Winemaking, and Writing Fiction

Jane Ciabattari Talks to the Author of Fire in the Canyon

By Jane Ciabattari | October 3, 2023

Best Reviewed
Books of the Week

  • They
  • This Is Not About Us
  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

Jayne Anne Phillips on Uncovering the Hidden Aftermath of the Civil War

By Jane Ciabattari | September 26, 2023

Christian Kiefer on Sewing a Quilt of Distinct Narrative Voices

By Jane Ciabattari | September 12, 2023

Angie Kim on Measures of Happiness and the Many Forms Intelligence Can Take

By Jane Ciabattari | August 29, 2023

Lydia Kiesling on Writing An Oil Novel In The Age of Climate Change

Lydia Kiesling on Writing An Oil Novel In The Age of Climate Change

Jane Ciabattari Talks to the Author of Mobility

By Jane Ciabattari | August 8, 2023

Jimin Han on Filling Narrative Blank Spaces With Memory and Imagination

Jimin Han on Filling Narrative Blank Spaces With Memory and Imagination

Jane Ciabattari Talks to the Author of The Apology

By Jane Ciabattari | August 1, 2023

Cristina Garcia on Chronicling Cuba’s Complex History Through Fiction

Cristina Garcia on Chronicling Cuba’s Complex History Through Fiction

Jane Ciabattari Talks to the Author of Vanishing Maps

By Jane Ciabattari | July 18, 2023

Ruth Madievsky on Creating Fiction From Poetry

Ruth Madievsky on Creating Fiction From Poetry

Jane Ciabattari Talks to the Author of All-Night Pharmacy

By Jane Ciabattari | July 11, 2023

Ana Menéndez on Crafting a Connected Cast of Characters

Ana Menéndez on Crafting a Connected Cast of Characters

Jane Ciabattari Talks to the Author of The Apartment

By Jane Ciabattari | June 27, 2023

Danielle Trussoni on Pursuing Perfection, Draft After Draft

Danielle Trussoni on Pursuing Perfection, Draft After Draft

Jane Ciabattari Talks to the Author of The Puzzle Master

By Jane Ciabattari | June 13, 2023

The 2023 Bay Area Book Festival in Six Acts

The 2023 Bay Area Book Festival in Six Acts

Jane Ciabattari Records a Weekend of Solidarity, Fun, and Literary Camaraderie

By Jane Ciabattari | June 9, 2023

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Page 4 of 14
    • Cannibal, the ListicleFebruary 17, 2026 by Molly Odintz
    • The Pull of Gritty, Authentic Crime Fiction in the Era of AI SlopFebruary 17, 2026 by Will Dean
    • Fergus Craig on Cozies, Humor, and Placing Serial Killers in Unexpected SettingsFebruary 17, 2026 by Fergus Craig
    • They
    • The Best Reviewed Books of the Week
    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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