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Committing to the High Romance of <em>The Notebook</em>

Committing to the High Romance of The Notebook

Annie Berke on Pre-Ken Ryan Gosling and the Campless Excess of the 2004 Adaptation

By Annie Berke | September 15, 2023

A Show of One’s Own: On the Women Who Made the Leap from <em>Saturday Night Live</em> to Sitcoms

A Show of One’s Own: On the Women Who Made the Leap from Saturday Night Live to Sitcoms

Annie Berke Watches the SNL Spinoff Vehicles Loot and I Love That for You

By Annie Berke | August 12, 2022

The Great Jessie Buckley is One to Watch

The Great Jessie Buckley is One to Watch

The Lost Daughter ">Annie Berke in Praise of the "Supporting" Star of The Lost Daughter

By Annie Berke | March 25, 2022

Is Adaptation a Feminine Act? On the Women Writers Who Worked on <em>Alfred Hitchcock Presents</em>

Is Adaptation a Feminine Act? On the Women Writers Who Worked on Alfred Hitchcock Presents

Annie Berke on the Writers Who “Hijacked” the Gender Politics of Their Source Materials

By Annie Berke | February 28, 2022

(Almost) Every Cultural Reference in <em>Pretend It's a City</em>, Annotated

(Almost) Every Cultural Reference in Pretend It's a City, Annotated

A Fran Lebowitz-Centric Syllabus

By Annie Berke | March 1, 2021

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