Literary Hub
Literary Hub
  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
    • Short Story
    • From the Novel
    • Poem
  • News and Culture
    • History
    • Science
    • Politics
    • Biography
    • Memoir
    • Food
    • Technology
    • Bookstores and Libraries
    • Film and TV
    • Travel
    • Music
    • Art and Photography
    • The Hub
    • Style
    • Design
    • Sports
  • Lit Hub Radio
    • The Lit Hub Podcast
    • Awakeners
    • Fiction/Non/Fiction
    • The Critic and Her Publics
    • Windham-Campbell Prizes Podcast
    • Memoir Nation
    • Beyond the Page
    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
    • The Best of the Decade
  • Book Marks
    • Best Reviewed Books
  • CrimeReads
    • True Crime
    • The Daily Thrill
  • Log In
  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
    • Short Story
    • From the Novel
    • Poem
  • News and Culture
    • History
    • Science
    • Politics
    • Biography
    • Memoir
    • Food
    • Technology
    • Bookstores and Libraries
    • Film and TV
    • Travel
    • Music
    • Art and Photography
    • The Hub
    • Style
    • Design
    • Sports
  • Lit Hub Radio
    • The Lit Hub Podcast
    • Awakeners
    • Fiction/Non/Fiction
    • The Critic and Her Publics
    • Windham-Campbell Prizes Podcast
    • Memoir Nation
    • Beyond the Page
    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
    • The Best of the Decade
  • Book Marks
    • Best Reviewed Books
  • CrimeReads
    • True Crime
    • The Daily Thrill
  • Log In
Committing to the High Romance of <em>The Notebook</em>

Committing to the High Romance of The Notebook

Annie Berke on Pre-Ken Ryan Gosling and the Campless Excess of the 2004 Adaptation

By Annie Berke | September 15, 2023

A Show of One’s Own: On the Women Who Made the Leap from <em>Saturday Night Live</em> to Sitcoms

A Show of One’s Own: On the Women Who Made the Leap from Saturday Night Live to Sitcoms

Annie Berke Watches the SNL Spinoff Vehicles Loot and I Love That for You

By Annie Berke | August 12, 2022

The Great Jessie Buckley is One to Watch

The Great Jessie Buckley is One to Watch

The Lost Daughter ">Annie Berke in Praise of the "Supporting" Star of The Lost Daughter

By Annie Berke | March 25, 2022

Is Adaptation a Feminine Act? On the Women Writers Who Worked on <em>Alfred Hitchcock Presents</em>

Is Adaptation a Feminine Act? On the Women Writers Who Worked on Alfred Hitchcock Presents

Annie Berke on the Writers Who “Hijacked” the Gender Politics of Their Source Materials

By Annie Berke | February 28, 2022

(Almost) Every Cultural Reference in <em>Pretend It's a City</em>, Annotated

(Almost) Every Cultural Reference in Pretend It's a City, Annotated

A Fran Lebowitz-Centric Syllabus

By Annie Berke | March 1, 2021

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution
    • A Brief History of Bounty Hunting in American Art and LifeOctober 31, 2025 by Cindy Fazzi
    • Behind the Masks of Ed GeinOctober 31, 2025 by Frank Ladd
    • Why October Is the Perfect Month for Thrillers and Crime NovelsOctober 31, 2025 by Lisa Kusel
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
  • Literary Hub

    Created by Grove Atlantic and Electric Literature


    Masthead

    About

    Sign Up For Our Newsletters

    How to Pitch Lit Hub

    Advertisers: Contact Us

    Privacy Policy

    Support Lit Hub - Become A Member