June 18, 2025
- The semicolon is in decline
- What reading has become in the age of AI?
- Garth Greenwell on reading through bad feelings
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How Little Richard Brought Black and Queer Culture to American Airwaves
Jon Savage on the Emergence of a New and Revolutionary Form of Rock and Roll in the 1950s
Clinging to an Ardent Hope: Eli Zuzovsky on Film, Selfhood, and Being an Israeli Writer Today
Neel Mukherjee in Conversation with the Author of "Mazeltov"
“Information Worker at the End of the World,” a Poem by Stephanie Niu
From the Collection “I Would Define the Sun”
Judith Butler: To Imagine a World After This, Democracy Needs the Humanities
“The beginning of democracy requires a transport into a necessary fiction.”
WG Sebald’s Rings of Saturn Might Be the Perfect Climate Change Novel
Madeleine Watts’s on the Prescient Genius of a Hard-to-Categorize Novel
Am I the Literary Asshole for Thinking All Book Covers Look the Same?
Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior
What to Read Before and After Seeing Art Spiegelman: Disaster is my Muse
Readings on the Life, Works, and Legacy of Art Spiegelman
How Democracy Supporters Can Still Beat Back the Rising Tide of Fascism
Katherine Stewart on the Internal Contradictions of the Current American Antidemocratic Movement
5 Book Reviews You Need to Read This Week
“The book’s effect is hypnotically telescopic, a vision of people we come to know across decades.”
Inky and Determined: In Praise of Writers Who Self-Publish
Lewis Buzbee on the Benefits of Taking Book Production Into Your Own Hands
How the Twin Desires of Connection and Autonomy Motivate Us to Success
William von Hippel on the Psychology Behind the Human Need for Independence and Acceptance
Finding Comfort in TV That No One Else Is Talking About
Anandi Mishra on the Joys of Escaping into the (Recent) Past
Nicholas Fandos on New York Politics, Eric Adams, and Trump
In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
RaMell Ross on Adapting Colson Whitehead, Black Subjectivity, and the Epic Banal
"The god of the camera is a colonizer but a cul-de-sac history of exploitation is held in black skin.”
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