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The Old Becomes the New: Lawrence Sutin on the Art of Transforming Books
“The freedom of erasure is its greatest allure.”
July 17, 2023
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David Lipsky on the Hucksters, Zealots, and Crackpots Behind Climate Denial
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July 17, 2023
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Maggie O’Farrell on Childhood, Art, Money, and Marriage in 16th-Century Florence
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July 17, 2023
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Stephen Buoro on How
A Clockwork Orange
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All Publicity is Good Publicity: How Simple Familiarity Influences Our Decisions
Daniel Simons and Christopher Chabris on the Power of the Known Quantity
July 17, 2023
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From One Into Many: On the Science of Starling Murmurations
Giorgio Parisi Considers Practical Applications of Theoretical Physics
July 17, 2023
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What America’s Current Drug Binge Reveals About the Post Neoliberal 2020s
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July 17, 2023
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Kellye Garrett Talks About the Idea of Community as Muse
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Shin Yu Pai on Ten Thousand Things and the Asian-American Experience
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Small Worlds
Caleb Azumah Nelson
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Lit Hub Weekly: July 10-14, 2023
THE BEST OF THE LITERARY INTERNET
July 15, 2023
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Read the very first reviews of
The Catcher in the Rye
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July 14, 2023
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“How I Fell in Love With the Well-Documented Life of Alex Whelan”
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On Trying to Teach Brian Doyle’s “Leap” to the Post-9/11 Generation
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Can Writers Have Fun?
Afire
is a Character Study of a Self-Absorbed Novelist
Elissa Suh on Christian Petzold’s New Comedy of Manners
July 14, 2023
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How Single-Family Zoning Laws Reinforce Existing Race and Class Divisions
Richard D. Kahlenberg on the Decades-Long Fight for Affordable and Equitable Housing
July 14, 2023
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What Should You Read Next? Here Are the Best Reviewed Books of the Week
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On the Refugee Stories That Begin Where
Casablanca
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Tabea Alexa Linhard Explains Why Refugee History is Everyone’s History
July 14, 2023
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Megan Fernandes on the Literary Uses of a Room
"Rooms are springboards for time and time is for the poets."
July 14, 2023
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May 16, 2025
The meaning of a poet’s grave
Revisiting Erika Kennedy’s prescient hip-hop satire,
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