Less is More: Shannon Reed on Re-Learning How to Read
“Reading is no longer a race that I might win, but a lifelong companion.”
Margot Livesey on the Importance of Rhythm
In Conversation with Mitzi Rapkin on the First Draft Podcast
Aubre Andrus on Writing for Hire
From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner
Lisa Frankenstein is a Charming Comedy, Even If It’s Missing Some Parts
Olivia Rutigliano on Diablo Cody and Zelda Williams's 80s-throwback, Mary-Shelley-indebted, high-school zom-com
Notes on Camp: Caitlin Cowan on the Joys of Working With Young Writers
“Play and experimentation should drive the young writer’s work, and all of our work.”
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring Sheila Heti, Francis Spufford, The Bee Gees, and More
Who Made Who? On the Creative Collaboration of Man Ray and Kiki de Montparnasse
Mark Braude Considers the Blurred Lines Between Object and Participant, Artist and Muse
Mako Yoshikawa on How Making Sushi Can Improve Your Writing
“What I needed to do was to hear, think about, and implement the feedback while still thinking of the process as play.”
The Physics of Fiction: How Art and Science Inspire Each Other
Paul Halpern on Literary Representations of Black Holes, Wormholes, and Multiple Dimensions
Am I the Literary Assh*le? To Blurb, To Follow, To Ghost (Or Not to Ghost)?
Kristen Arnett Answers Your Awkward Questions About the Literary Life
Dust, Desolation, and Awe: Rebecca Boyle on Would It Be Like to Return to the Moon
The Author of “Our Moon” on the Gritty Business of Survival on a Distant Rock
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