Paul Giamatti,
This One’s For You: In Praise of the King of Pathos
Olivia Rutigliano on the Actor Who Has Never Once Phoned in a Performance
5 Book Reviews You Need to Read This Week
“She has found a way to tell a story that is artful, and humane, in the midst of disaster.”
A Rich But Rare Genre: Exploring Islamic Historical Fiction
Jamila Ahmed Recommends Tariq Ali, Leila Aboulela, Suad Amiry, and More
Fictionalizing Real Trauma as a Means of Healing
“The psychic burden would’ve been too great if I’d written the story as memoir.”
Against Disruption: On the Bulletpointization of Books
Maris Kreizman Wonders Why Tech Bros Think They Can “Save” Something They Don’t Even Like?
On What We Do (And Don’t) Understand About Tornadoes
Nell Greenfieldboyce on the Science and Mystery Behind One of Weather’s Great Spectacles
Complex Nostalgia for a Bygone Era: Alex Auder on Her Chelsea Hotel Childhood
Amanda Chemeche Talks to the Author of “Don’t Call Me Home”
How Big Data and the Surveillance State Collude to Undermine Immigrant Rights
César Cuauhtémoc García Hernández on Immigration Policing in the Digital Age
The Annotated Nightstand: What Diana Khoi Nguyen is Reading Now and Next
Featuring Jennifer Ackerman, jos charles, and Jenny Erpenbeck
Glenn North on Kansas City’s Jazz, Poetry, and Barbeque
In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
Rebecca Solnit: How to Comment on Social Media
“The entire measure of someone's commitment is how much they post about their commitment.”
January’s Best Reviewed Fiction
Featuring New Titles by Álvaro Enrigue, Kaveh Akbar, Hisham Matar, Marie-Helene Bertino, and Kiley Reid
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