Am I the Literary Assh*le? To Blurb, To Follow, To Ghost (Or Not to Ghost)?
Kristen Arnett Answers Your Awkward Questions About the Literary Life
Dust, Desolation, and Awe: Rebecca Boyle on Would It Be Like to Return to the Moon
The Author of “Our Moon” on the Gritty Business of Survival on a Distant Rock
How Stanley Kubrick Brought Stephen King’s The Shining to the Big Screen
Robert P. Kolker and Nathan Abrams on the Director's Pivotal Role in the Horror Boom of the 1970s
No Slaves, No Masters: What Democracy Meant to Abraham Lincoln
Allen C. Guelzo on the 16th President’s Civic and Political Philosophy
How Corporations Tried—And Failed—To Control the Spread of Content Online
David Bellos and Alexandre Montagu on the Evolution of Copyright Law in the Internet Age
Blood, Sweat, and Paint: Finding the Work Behind the Art
Bianca Bosker Explores the Artistic Practice From the Painter’s Perspective
5 Book Reviews You Need to Read This Week
“The most ambitious and accomplished Australian novel of this century.”
Jacinda Townsend and James Bernard Short on American Fiction
In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
Killing Your Characters Is Traumatic: And It Should Be
“You will have to do it over and over again, and it will never, ever become less fraught. In fact, it shouldn’t.”
Between Risk and Control: How Mark Rothko Discovered His Signature Style
Adam Greenhalgh on the American Abstract Painter's Early Years
How an Icelandic Bird Led to the Discovery of Human-Caused Extinction
Gísli Pálsson on the Undersung Work of the Naturalists John Wolley and Alfred Newton
To Americanize or Americanise: Writing a New Zealand Novel in the America-Dominant Publishing World
Rebecca K Reilly on the Editors Who Told Her to Change Her Novel for an American Audience
Between Tragedy and Wit: Andrew Ewell on William Styron’s Classic, Sophie’s Choice
“Styron reminds us that storytelling isn’t an intrusion upon the lives of others, but is in fact an affirmation of all that which connects us.”
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