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Walden, Freestyled: Reimagining and Reclaiming What It Means to Be Black in Nature
Edward Moreta Jr. on White Western Nature Writing, JID's 29 (Freestyle), and Longing for Black Representation in Wild Settings
December 4, 2023
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Leopards, Messiahs, and AI Storytellers: December’s Best Sci-Fi and Fantasy Books
Wrap Up the Year with Speculative Debuts and Sequels from Geoff Ryman, Foz Meadows, K.J. Parker, and More
December 4, 2023
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7 New Poetry Collections to Read in December
Rebecca Morgan Frank Recommends Shane Book, Tacey M. Atsitty, Marlon Hacla, and More
December 4, 2023
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How the Neolithic Age Marked the Beginning of the Modern World
John Charles Chasteen on When Homo Sapiens Became Human, For Better and For Worse
December 4, 2023
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Rereading My Words in the Midst of Profound Grief
Gabriel Bump on His Characters' Personal Tragedy, and His Own
December 4, 2023
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Books That Travel: A Report From the 2023 Nairobi International Book Fair
Jessica Powers on the Struggles and Rewards of Bringing African Literature to the Global Market
December 4, 2023
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Jessica Powers
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Dion Graham and AudioFile’s 2023 Best Biography and Memoir Audiobooks
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Jamila Minnicks on the Higher Truth of Fiction
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Salar Abdoh on Working Against the Masculine Default
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Kliph Nesteroff on the History of Americans Objecting to Comedy
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Mosab Abu Toha and his family have made it to Egypt.
December 4, 2023
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THE BEST OF THE LITERARY INTERNET
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Feminine Appetites in Todd Haynes’s
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Hannah Bonner on the Aesthetics of Tabloid Culture
December 1, 2023
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“Zombies,” a Poem by Alissa Quart
“When I don’t report on others / I report on myself.”
December 1, 2023
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“Lexi Freiman shitposts from the bottom of her heart.”
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Beth Kephart on the Observational Lens
“It’s the stance we take toward the things we choose to see.”
December 1, 2023
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