June 16 – 20, 2025
- The semicolon is in decline
- Keith Woodhouse considers the future of climate fiction
- Aaron Rosenberg revisits The Inheritors
Support Lit Hub.
How Judy Blume’s Deenie Helped Destigmatize Masturbation
Rachelle Bergstein on Self-Pleasure and Sex Education in Children's Literature
Rebecca Solnit: It’s the Pundits Who Have Turned on Biden, Not the Party
On the Danger of Abandoning the Car That Got You There
The Cosmic Sublime: On the Unpredictability and Allure of Comets
Ruby Todd Considers the Age-Old Individual and Collective Experience of Watching the Skies
Laura Van Den Berg on Merging Autofiction With Speculative Fiction
Jane Ciabattari Talks to the Author of “State of Paradise”
What Does It Mean to Write Escapist Literature?
Caroline Carlson on Children’s Books and Escape Artistry
Patrick Radden Keefe on His Abiding Preoccupations
On Sun Valley Writers’ Conference’s Beyond the Page
What the All-American Delusion of the Polygraph Says About Our Relationship to Fact and Fiction
Justin St. Germain Considers the Blurry Borders Between Memory, Memoir and Myth
How the Continual Movement of Wildlife Regulates the Natural World
James Bradley on the Integral Role of Migratory Patterns to Human and Environmental Wellbeing
“Weaponized Autism.” Shame, Pride, and the Making and Undoing of the Alt-Right
Elle Reeve Explores the Possible Links Between Neurodivergence and Political Extremism
“Kiese Says, Black People Deserve Beautiful Sentences, but a Fragment is the Best I Can Do / Songbook for the Names I Have Been Called,” a Poem by Omotara James
From the Collection “Song of My Softening”
What Nickelodeon’s “Are You Afraid of the Dark” Can Teach Horror Writers
Jordan Kopy Remembers the Literary and Cinematic Techniques of a Cultural Phenomenon
Page 141 of 1841
