-
“It’s a real moment of maturation to say, ‘My time here is short—what can I do the most beautifully?’” George Saunders talks about his first love, songwriting (and why he gave it up). | Lit Hub Music
-
How T. S. Eliot (literally) composed The Waste Land. | Lit Hub Poetry
-
Katie Fustich recounts her year of reading romance novels, the final step on her journey “from unthinking academic acolyte to omnivorous literary independence.” | Lit Hub Criticism
-
Nicky Beer finds a long-lost family member—a writer—in the legendary Sleepy Hollow Cemetery, and muses on posthumous storytelling. | Lit Hub Memoir
-
“Creative partnerships can be a challenge for fragile egos—but they also provide a lifeline in difficult times.” Lauren LeBlanc ruminates on Elizabeth Hardwick, Darryl Pinckney, and literary relationships. | The Atlantic
-
Why are we so obsessed with stories about witches? | The Guardian
-
“His auto poesy gives us his life not merely as a collection of facts, but as an imminent reality.” Kathryn Winner on the recordings Allen Ginsberg used to compose “The Fall of America.” | The New Yorker
-
“To her everlasting credit, she never wavered in her love of literature, the only thing that lifted her from the permanent chaos in her head.” Vivian Gornick considers a new biography of Jean Rhys. | The New Republic
-
Take a look inside the New York Public Library’s vast archive of menus from around the world. | TASTE
-
Laura Miller dives into the wild story of the romance novelist who allegedly faked her own suicide. | Slate
Also on Lit Hub: Peter Cole on making the poetic abstract concrete • What the booksellers are reading at Point Reyes Books
