Lit Hub Daily: January 25, 2018

• A 100-year history of the covers of Virginia Woolf. |Literary Hub
• For Fiction/Non/Fiction, Ron Charles and Shanthi Sekaran talk to Whitney Terrell and V.V. Ganeshananthan about censorship, obscenity, and the language of immigration. | Literary Hub
• Mary Shelley: Abandoned by her creator and rejected by society? | Literary Hub
• A style as clear as sunlight and a moral sense as strong as reinforced concrete: On Ursula K. LeGuin’s The Language of the Night. | Book Marks
• “People might take it more seriously than just thinking: ‘Some lunatic’s got a warehouse full of magazines.’” Inside the Hyman Archive, the largest private collection of magazines in the world. | The New York Times
• Charlotte Shane on Lynne Segal’s recently reissued memoir Making Trouble, “a refutation of today’s mainstream feminism, not only explicitly but—more powerfully—implicitly.” | The Nation
• “A new generation of feminist writers, podcasters, academics, and activists is having its moment, and the older generation is all too aware of it.” Lauren Elkin on the French reaction to #MeToo. | The Paris Review
• “I have needed all the genres I have used, and, as a sort of common denominator, I have been the same person with the same concerns from one genre to another.” An interview with Wendell Berry. | Library of America
• “Poetry, or Anthropologie sales rack? Is there a difference?” Soraya Roberts on the badness of Instapoetry. | The Baffler
• Was beloved Scottish bard Robert Burns a “Weinsteinian sex pest”? Poet and critic Liz Lochhead alleged as much on BBC radio, drawing agreement from one Burns biographer and a rebuttal from other Burns scholars. | The Guardian
• On solarpunk, a new genre of science fiction that imagines sustainable futures instead of dystopian hellscapes. | Ozy

Also on Literary Hub: Interview with a Bookstore: At Magic City Books in Tulsa, Oklahoma • The most noir city? Crime fiction on the streets of Belfast • Read from Frankenstein in Baghdad