Lit Hub Daily: April 12, 2018

• Listen, grammar pedants, enough: the English language is not logical. | Lit Hub
• We’ll always have Paris: Madelaine Lucas takes a road trip to Texas to visit Sam Shepard’s notebooks. | Lit Hub
• Natalie Diaz curates new poetry by Indigenous queer women. | Lit Hub
• Barbara Kingsolver in praise of Richard Powers’s “monumental novel” The Overstory, and 4 other must-read book reviews from this week. | Book Marks
• Tehran is a juxtaposition of ugliness and beauty that breaks the heart: Salar Abdoh on the Tehran literary world, and why writing noir is a political act. | CrimeReads
• “We do a lot of sort-of-joking-but-not-really talking about the end times.” Carmen Maria Machado on her love- and anxiety-filled marriage. | The New York Times
• “I felt an imperative, if you will, to use the book as a way to more deeply understand him.” Peter Mathiessen’s son on recreating the journey of The Snow Leopard 40 years later. | The Guardian
• 30 books to look forward to this summer, if it ever arrives. | Elle
• “Desire is sustained through fragments, concentrated moments spent together mythologized during those apart.” On the love letters of Albert Camus and Maria Casares. | The Paris Review
• What happens when a book designer is completely stumped on a cover? | Lit Hub
• Writing about the oldest oral library in Australia: on Bruce Chatwin and the Arrernte people. | Lit Hub
• Terese Marie Mailhot, Meredith Talusan, Ijeoma Oluo, Kathryn Belden, and Kima Jones discuss what it means to navigate the publishing industry as a woman of color. | BuzzFeed Reader
• “More than anything, there is this: the sublime moment—and it never stops being sublime—when you get to attend, as beautiful, meaningful, and original work emerges in the world.” Rebecca Saletan on the work of a book editor. | Poets & Writers

Also on Literary Hub: To the Believer Festival, a literary gathering in the desert · In conversation with one of our greatest poets, Eileen Myles · Read from Nathacha Appanah’s novel, Waiting For Tomorrow.