“I am Never Too Busy to Think of S&S.” On Jane Austen’s Sense and Sensibility

For tens of thousands of years, human beings have been using fictional devices to shape their worlds and communicate with one another. Four thousand years ago they began writing down these stories, and a great flourishing of human achievement began. We know it today as literature, a term broad enough to encompass everything from ancient epic poetry to contemporary novels. How did literature develop? What forms has it taken? And what can we learn from engaging with these works today? Hosted by Jacke Wilson, an amateur scholar with a lifelong passion for literature, The History of Literature takes a fresh look at some of the most compelling examples of creative genius the world has ever known.

“I am never too busy to think of S&S,” Jane Austen wrote to her sister, referring to her 1811 novel by its initials, “I can no more forget it, than a mother can forget her suckling child.” Sense and Sensibility was Jane Austen’s first published novel. First begun when she was in the throes of her doomed dalliance with Thomas Lefroy, the novel contains the familiar Austen project of a Hero, a Heroine, a Search for Love, and the Obstacle Called Money.

In this case, the heroines are two sisters named Elinor and Marianne, representing the “sense” (prudence, restraint) and “sensibility” (passion, impulsiveness) of the title. In this episode, Jacke takes a look at the writing of Sense and Sensibility; the still common themes contained within this classic novel; and the 1995 film adaptation, in which Emma Thompson, herself in the midst of an Austen-like entanglement, nevertheless drives a shiv into Jacke’s battered old heart.

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