Going Deep Into the
J.P. Donleavy Archives
A Writer's Life, Reflected in His Art
The painter who became the author and playwright J.P. Donleavy was born this day, April 23, 1926. He died September 11, 2017, aged 91. But, he lives on in his first novel and new titles to emerge from his archive.
On a summer day 1951 Brendan Behan visited J. P. Donleavy at his Kilcoole cottage in Wicklow, Ireland, but found no one home. Thirsty and hungry, Behan broke in, helped himself to whiskey and food, and began reading and editing
Donleavy was fictionalizing what he observed and experienced in the pubs, streets and salons of late 1940s bohemian Dublin as an American attending Trinity College Dublin. His work-in-progress focused on the adventures, calamities and escapes of the indomitable charmer Sebastian Dangerfield, who lacks ambition except to have a good time and more pints of Guinness while keeping responsibilities at bay. Ostensibly a law student, with a wife and child, Dangerfield envisions a future of riches filing writs, but pawns his law books. He keeps sailing his dreamboats through the rough seas of reality without foundering somehow. Despite a disputed 1955 publication by The Olympia Press, Paris, followed by bans and battles, the novel would go on to be published by mainstream U.S. and U.K. houses and remains in print in English, and has been translated into two dozen languages. Worldwide sales have topped 45 million.
James Patrick Donleavy was a New Yorker, the middle child of Irish immigrants. He attended Catholic schools. He graduated from Manhattan Prep, having been “chucked out”, as he put it, of Fordham Prep after founding a secret society of which he made himself Supreme Brother Master and held the society’s first and last meeting at a saloon near campus. After high school, Donleavy enlisted in the U.S. Navy the summer of 1944, remaining Stateside in training. With the war’s end and the G.I. Bill, after failing to get into any Ivy League school, Donleavy headed off to Trinity for the fall 1946 term. There he encountered other military veterans availing of the G.I. Bill’s educational benefits, including handsome and ginger-haired Gainor
Donleavy was a lackadaisical student of microbiology and instead pursued artistic interests—painting and writing. Having married in his third year, he quit Trinity, hoping to support his wife Valerie and himself on painting sales. He abandoned that plan after a London art dealer praised his paintings but rejected them because he wasn’t famous. “I announced to the street that, goddamnit, seeing as I was contemplating it anyway, I would write a book that no one could stop and would make my name known in every nook and cranny all over the world.”
Last year, I edited The Ginger Man Letters, a collection of 220 letters and cards between Donleavy and Trinity friends Crist and Donoghue, who inspired in part The Ginger Man main characters Sebastian Dangerfield and Kenneth O’Keefe respectively. There are also elements of Donleavy in both characters. The Ginger Man Letters, published on the first anniversary of Donleavy’s death by The Lilliput Press, Dublin, is, in effect, Donleavy’s 27th book and takes readers into the complicated composition, problematic publication and improbable afterlife of The Ginger Man. The letters combine to tell a true story that reads like Donleavy fiction—often funny, sometimes serious, at times brawling and always revealing of these colorful individuals, the special time and place they shared and what happened as they ventured into the wider world. Popping up in the letters and notes are some of the biggest names of their day.
I came to edit The Ginger Man Letters by a circuitous route. I am a Donleavy fan and collector. While he lived in Ireland since 1969, we met in Washington, D.C. when he was on a 1990 book tour. I was then a newspaper reporter and wangled an assignment to interview my favorite author. Instead of a scheduled 45-minute interview, we spent the entire day together. As I was taking my leave, Donleavy said: “If you’re ever in Ireland, you must come visit.” I did a few years later when in Ireland to run the Dublin Marathon. Afterwards I hopped the train to Mullingar and a two-day stay at his home, Levington Park, built circa 1742, overlooking Lough Owel. He was then divorced from his second wife. He showed me The Ginger Man manuscript with Behan’s edits. That was the first of many
During a 2005 stay, I organized Donleavy’s library and papers (manuscripts, personal and publishing correspondence, legal files related to various battles). I read the correspondence with Crist and Donoghue, urging Donleavy to gather the letters into a book. He was interested and occasionally re-read the letters, recalling old friends and happy times. While Donleavy never pursued the correspondence collection, his son Philip Donleavy gave me permission to proceed with The Ginger Man Letters.
And there’s more to come from Donleavy’s files. The Lilliput Press is readying for publication the last novel Donleavy completed, A Letter Marked Personal. There is also a collection of short pieces in the offing. Meanwhile Philip and sister Karen hold the film rights to their father’s books.
Feature image: After a gallery praised but rejected his paintings because he wasn’t famous, Donleavy vowed to write a book “no one could stop”. And he did, starting the manuscript that would become The Ginger Man in 1951 at his Kilcoole cottage, Wicklow. Courtesy J.P. Donleavy archive.
The Ginger Man Letters is out now from The Lilliput Press.