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<em>Lisa Frankenstein</em> is a Charming Comedy, Even If It’s Missing Some Parts

Lisa Frankenstein is a Charming Comedy, Even If It’s Missing Some Parts

Olivia Rutigliano on Diablo Cody and Zelda Williams's 80s-throwback, Mary-Shelley-indebted, high-school zom-com

By Olivia Rutigliano | February 9, 2024

Over 600 writers have signed this open letter to PEN America.

Over 600 writers have signed this open letter to PEN America.

By Dan Sheehan | February 9, 2024

Who Made Who? On the Creative Collaboration of Man Ray and Kiki de Montparnasse

Who Made Who? On the Creative Collaboration of Man Ray and Kiki de Montparnasse

Mark Braude Considers the Blurred Lines Between Object and Participant, Artist and Muse

By Mark Braude | February 9, 2024

The Physics of Fiction: How Art and Science Inspire Each Other

The Physics of Fiction: How Art and Science Inspire Each Other

Paul Halpern on Literary Representations of Black Holes, Wormholes, and Multiple Dimensions

By Paul Halpern | February 9, 2024

Writing Away the Angel in My Bedroom: On OCD

Writing Away the Angel in My Bedroom: On OCD

Cynthia Marie Hoffman on the Manifestations of Anxiety

By Cynthia Marie Hoffman | February 9, 2024

Writers are auctioning signed books to raise money for Gaza's child amputees.

Writers are auctioning signed books to raise money for Gaza's child amputees.

By Dan Sheehan | February 8, 2024

Best Reviewed
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  • They
  • This Is Not About Us
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  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

Dust, Desolation, and Awe: Rebecca Boyle on Would It Be Like to Return to the Moon

By Rebecca Boyle | February 8, 2024

How Stanley Kubrick Brought Stephen King’s The Shining to the Big Screen

By Robert P. Kolker and Nathan Abrams | February 8, 2024

No Slaves, No Masters: What Democracy Meant to Abraham Lincoln

By Allen C. Guelzo | February 8, 2024

How Corporations Tried—And Failed—To Control the Spread of Content Online

How Corporations Tried—And Failed—To Control the Spread of Content Online

David Bellos and Alexandre Montagu on the Evolution of Copyright Law in the Internet Age

By David Bellos and Alexandre Montagu | February 8, 2024

Blood, Sweat, and Paint: Finding the Work Behind the Art

Blood, Sweat, and Paint: Finding the Work Behind the Art

Bianca Bosker Explores the Artistic Practice From the Painter’s Perspective

By Bianca Bosker | February 8, 2024

Jacinda Townsend and James Bernard Short on <em>American Fiction</em>

Jacinda Townsend and James Bernard Short on American Fiction

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 8, 2024

Elizabeth Rush on the Thwaites Glacier

Elizabeth Rush on the Thwaites Glacier

This Week from the Emergence Magazine Podcast

By Emergence Magazine | February 8, 2024

Between Risk and Control: How Mark Rothko Discovered His Signature Style

Between Risk and Control: How Mark Rothko Discovered His Signature Style

Adam Greenhalgh on the American Abstract Painter's Early Years

By Adam Greenhalgh | February 7, 2024

How an Icelandic Bird Led to the Discovery of Human-Caused Extinction

How an Icelandic Bird Led to the Discovery of Human-Caused Extinction

Gísli Pálsson on the Undersung Work of the Naturalists John Wolley and Alfred Newton

By Gísli Pálsson | February 7, 2024

Is the phrase <em>The Tortured Poets Department</em> grammatically correct?

Is the phrase The Tortured Poets Department grammatically correct?

By Olivia Rutigliano | February 6, 2024

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    • They
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    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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