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  • Craft and Criticism
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Is Revenge-Baking a Thing?

Is Revenge-Baking a Thing?

Becca Rea-Tucker Finds Kitchen Catharsis with Black Pepper Snowballs

By Becca Rea-Tucker | November 4, 2022

Serena Burdick on Her Novel’s Seventeen-Year Journey to Publication

Serena Burdick on Her Novel’s Seventeen-Year Journey to Publication

“To survive, or at least to survive sanely, it takes a certain amount of endurance.”

By Serena Burdick | November 4, 2022

Dani Shapiro on the Fifteen Year Journey of <em>Signal Fires</em>

Dani Shapiro on the Fifteen Year Journey of Signal Fires

This Week on The Literary Life with Mitchell Kaplan

By The Literary Life | November 4, 2022

How to Go Home: On Resisting a Very English Hero’s Journey

How to Go Home: On Resisting a Very English Hero’s Journey

Ellie Robins Considers the Dangers of the Monomyth

By Ellie Robins | November 3, 2022

Navigating Life with Misophonia: “For the Past Ten Years I Have Lived Inside Music.”

Navigating Life with Misophonia: “For the Past Ten Years I Have Lived Inside Music.”

Sussie Anie on Finding Connection in Stories

By Sussie Anie | November 3, 2022

<em>I’ve Got It!</em> Judy Blume Tells the Story of Her First Period

I’ve Got It! Judy Blume Tells the Story of Her First Period

The Author of Are You There God? It's Me, Margaret Recalls the Confusion and Joy Around the Rite of Passage

By Judy Blume | November 2, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Accumulated Memory: Ken Burns on the Intersection of Individual Intimacy and National Narrative

By Ken Burns | November 2, 2022

“WE NEED MORE OINTMENT.” The Exquisite Banality of Married Texting

By Jason Gay | November 2, 2022

How to Tell a True Abortion Story

By Nicole Walker | November 2, 2022

Kate Beaton on the Grueling Task of Writing a Picture Book and Her New Memoir

Kate Beaton on the Grueling Task of Writing a Picture Book and Her New Memoir

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | November 1, 2022

A Shed of One’s Own: Louise Kennedy on the Blissful Semi-Solitude of Her Backyard Writing Space

A Shed of One’s Own: Louise Kennedy on the Blissful Semi-Solitude of Her Backyard Writing Space

“During the pandemic, I felt like the luckiest woman in Ireland.”

By Louise Kennedy | November 1, 2022

Master of Ceremonies: Melissa Holbrook Pierson Remembers Peter Schjeldahl

Master of Ceremonies: Melissa Holbrook Pierson Remembers Peter Schjeldahl

“It could not be big, loud, fiery, or dangerous enough to suit him.”

By Melissa Holbrook Pierson | November 1, 2022

Where Cocktail Hour Never Ends: On Jamaica, Tourism, and the Remnants of Empire

Where Cocktail Hour Never Ends: On Jamaica, Tourism, and the Remnants of Empire

Dionne Irving on Being a Foreigner in Her Ancestral Home

By Dionne Irving | November 1, 2022

Manuel Muñoz on Trying and Failing to Tell The Story of His Biological Father

Manuel Muñoz on Trying and Failing to Tell The Story of His Biological Father

“Everyone asked me how I felt, but the mystery was how he had felt.”

By Manuel Muñoz | November 1, 2022

Finding Black Queer Life Between the Lines of History

Finding Black Queer Life Between the Lines of History

Suzette Mayr on Her Search for the Sleeping Car Porter

By Suzette Mayr | November 1, 2022

“A Ghost Is a Memory.” On Bodies, Belief, and the Places Ghost Stories Live

“A Ghost Is a Memory.” On Bodies, Belief, and the Places Ghost Stories Live

GennaRose Nethercott Tells the Story of a Long Night in an Old House

By GennaRose Nethercott | October 31, 2022

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Page 50 of 157
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    • From Spies and Matrons to Miami Vice: A Short History of Women in Law EnforcementNovember 7, 2025 by Alie Dumas Heidt
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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