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  • Craft and Criticism
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    • On Translation
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Shame and English Translation on <em>The Critic and Her Publics</em>

Shame and English Translation on The Critic and Her Publics

a week-long season on translation continues

By The Critic and Her Publics | August 27, 2025

Rana Dasgupta on Giuseppe di Lampedusa's <em>The Leopard</em>

Rana Dasgupta on Giuseppe di Lampedusa's The Leopard

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | August 27, 2025

How to Think About the Future, With a Little Help From Science Fiction

How to Think About the Future, With a Little Help From Science Fiction

Nick Foster Explores the Relationship Between Sci-Fi and Our Conception of the Future

By Nick Foster | August 26, 2025

Writing Someone Else’s Autofiction... When They’re a Pop Star Turned Wedding Singer

Writing Someone Else’s Autofiction... When They’re a Pop Star Turned Wedding Singer

On the Unlikely Collaboration Between Novelist David Levithan and Musician Jens Lekman

By Katy Hershberger | August 26, 2025

On Bringing the Novels of Mizuki Tsujimura to English Readers

On Bringing the Novels of Mizuki Tsujimura to English Readers

Yuki Tejima: “For fifteen years, the novel has been passed from reader to reader in Japan.”

By Yuki Tejima | August 26, 2025

Richard Siken! Helen Oyeyemi! André Breton! 17 new books out today.

Richard Siken! Helen Oyeyemi! André Breton! 17 new books out today.

By Gabrielle Bellot | August 26, 2025

Best Reviewed
Books of the Week

  • Heart the Lover
  • What a Time to Be Alive
  • Somebody Is Walking on Your Grave: My Cemetery Journeys
  • Pick a Color
  • The Eternal Forest: A Memoir of the Cuban Diaspora
  • Scream with Me: Horror Films and the Rise of American Feminism (1968-1980)

First Sentences and Translating Proust on The Critic and Her Publics

By The Critic and Her Publics | August 25, 2025

Sheila Heti on the Profound Influence of Jane Bowles on Her Writing—and Life

By Sheila Heti | August 25, 2025

Richard Siken on the Most Fundamental Poetic Device There Is

By Literary Hub | August 25, 2025

Blurring Genre, Gender: The Rich Challenges of Translating Kim de l’Horizon’s Wild Fiction

Blurring Genre, Gender: The Rich Challenges of Translating Kim de l’Horizon’s Wild Fiction

Jamie Lee Searle Reflects on Capturing the Elusive Essence of “Sea, Mothers, Swallow, Tongues”

By Jamie Lee Searle | August 25, 2025

Desperately Seeking Bygone Media

Desperately Seeking Bygone Media

Ginny Hogan on Recent Books that Satisfy the Longing for Slow Communication

By Ginny Hogan | August 22, 2025

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring James Baldwin, Elaine Hsieh Chou, Arson, and More

By Book Marks | August 22, 2025

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“These and 11 other pieces ventriloquize a chorus of white American grotesques across the sociopolitical spectrum.”

By Book Marks | August 21, 2025

Am I the Asshole For Wanting to Cheat on My “Literary” Novel?

Am I the Asshole For Wanting to Cheat on My “Literary” Novel?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | August 21, 2025

On the Past and Future of Lesbian Pulp

On the Past and Future of Lesbian Pulp

Trish Bendix Explores the Continuum of Lesbian History and Porn

By Trish Bendix | August 21, 2025

Katie Kitamura on the Power of Voice in Uzodinma Iweala’s <em>Beasts of No Nation</em>

Katie Kitamura on the Power of Voice in Uzodinma Iweala’s Beasts of No Nation

Revisiting the Novel 20 Years Later

By Katie Kitamura | August 21, 2025

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Page 7 of 342
    • Almost-Horror MoviesOctober 14, 2025 by Olivia Rutigliano
    • 10 New Books Coming Out This WeekOctober 14, 2025 by CrimeReads
    • Hannah Beer On The Costs and Consequences of Celebrity CultureOctober 14, 2025 by Hannah Beer
    • Heart the Lover
    • The Best Reviewed Books of the Week
    • "King captures her guileless sense of awe with just a dusting of parody that never…"
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