Suzanne Berne Asks Us, Why Write a Novel, Why Read a Novel, and Why Now?

Suzanne Berne Asks Us, Why Write a Novel, Why Read a Novel, and Why Now?

“I believe in the capacity of the novel, in its formal demonstration of the possibility for greater insight and compassion over time.”

By Suzanne Berne | January 10, 2023

“What Excuse Do I Have for Having Written Nothing Yet Today? None.” Glimpses Into Kafka’s Workshop

“What Excuse Do I Have for Having Written Nothing Yet Today? None.” Glimpses Into Kafka’s Workshop

Ross Benjamin on Translating Franz Kafka’s Diaries

By Ross Benjamin | January 10, 2023

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

In Conversation with Kashana Cauley, Kevin Maloney, Nyani Nkrumah, Jason Roeder, and Daniel Torday

By Teddy Wayne | January 10, 2023

Andrew Limbong Wonders If We Should Be Worried About the State of Reading

Andrew Limbong Wonders If We Should Be Worried About the State of Reading

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | January 10, 2023

Christine Sneed on Leaning Into the Absurdity of Office Life

Christine Sneed on Leaning Into the Absurdity of Office Life

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | January 10, 2023

20 new books to read right now.

20 new books to read right now.

By Katie Yee | January 10, 2023

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Unguilty Pleasures: My Year of Reading Romance Novels

By Katie Fustich | January 9, 2023

That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”

By Matthew Hollis | January 9, 2023

Shelf Talkers: What the Booksellers Are Reading at Point Reyes Books

By Literary Hub | January 9, 2023

Peter Cole on Making the Poetic Abstract Concrete

Peter Cole on Making the Poetic Abstract Concrete

The Poet on His New Collection Draw Me After

By Literary Hub | January 9, 2023

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 9, 2023

In <em>Women Talking</em>, Acts of Imagination Are Acts of Resistance

In Women Talking, Acts of Imagination Are Acts of Resistance

Michelle Nijhuis Considers Sarah Polley’s New Film Adaptation of Miriam Toews’s Novel

By Michelle Nijhuis | January 6, 2023

The Original <em>Pinocchio</em> Is a Radical Anti-Work Story

The Original Pinocchio Is a Radical Anti-Work Story

Alessandro Delfanti on Late-19th-Century Italy and the Strings That Pull Us

By Alessandro Delfanti | January 6, 2023

Why Travel Writing is a Form of Memoir and How Covid Has Changed How We See the World

Why Travel Writing is a Form of Memoir and How Covid Has Changed How We See the World

Pico Iyer in Conversation with Andrew Keen on Keen On

By Keen On | January 6, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring New Titles by Tom Crewe, Parini Shroff, Martha C. Nussbaum, and More

By Book Marks | January 6, 2023

On War, Fatherhood, and the Half-Life of Cormac McCarthy’s Literary Fission

On War, Fatherhood, and the Half-Life of Cormac McCarthy’s Literary Fission

Will Cathcart Travels the Road From Kherson to a Delivery Room in Tbilisi

By Will Cathcart | January 5, 2023

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