The Art of Designing the Graphics For the Harry Potter and Fantastic Beast Films

The Art of Designing the Graphics For the Harry Potter and Fantastic Beast Films

MinaLima in Conversation with Andrew Keen on Keen On

By Keen On | December 2, 2022

Cannibals or Ghouls? The Elusiveness of Language in <em>Bones and All</em>

Cannibals or Ghouls? The Elusiveness of Language in Bones and All

Miyako Pleines on the Crucial Distinction Between Choice and Curse

By Miyako Pleines | December 1, 2022

With the Ancestors: Buki Papillon on African Folklore and <em>Wakanda Forever</em>

With the Ancestors: Buki Papillon on African Folklore and Wakanda Forever

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | December 1, 2022

In Netflix’s <em>Lady Chatterley’s Lover</em>, a Controversial Classic Becomes a Glossy Love Story

In Netflix’s Lady Chatterley’s Lover, a Controversial Classic Becomes a Glossy Love Story

But Yes, There’s Still Plenty of Sex

By Meg Walters | November 30, 2022

Tess Gunty's <em>The Rabbit Hutch</em> is coming to the screen.

Tess Gunty's The Rabbit Hutch is coming to the screen.

By Dan Sheehan | November 29, 2022

Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?

Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?

Bruce Davis in Conversation with Andrew Keen on Keen On

By Keen On | November 29, 2022

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On Women Talking and the Unreliable Narrators of Post-MeToo Literature

By Emma Staffaroni | November 28, 2022

Tracing Bong Joon Ho’s Rise to Fame, from Secret Government Blacklist to Making Oscars History

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Steven Spielberg’s The Fabelmans is a Beautiful Memory

By Olivia Rutigliano | November 23, 2022

“In My Opinion, Seven is the Pinnacle of Life.” Annie Barrows on Creating <em>Ivy and Bean</em>

“In My Opinion, Seven is the Pinnacle of Life.” Annie Barrows on Creating Ivy and Bean

How the Book Series (and Netflix Films) Became a Time Capsule and Refuge

By Annie Barrows | November 23, 2022

From Jean-Luc Godard to Bong Joon-ho: Joyce Chopra on the Films That Have Influenced Her

From Jean-Luc Godard to Bong Joon-ho: Joyce Chopra on the Films That Have Influenced Her

Lessons from a Lifetime of Making Art

By Joyce Chopra | November 23, 2022

The Teenage Cannibal Movie for Our Time? <em>Bones and All</em> Ate Me Right Up

The Teenage Cannibal Movie for Our Time? Bones and All Ate Me Right Up

Luca Guadagnino’s Adaptation of Camille DeAngelis’s Novel is Rich, Sad, and All-Consuming

By Olivia Rutigliano | November 22, 2022

Rereading <em>White Noise</em> and Feeling Deep Dread... For Noah Baumbach’s Adaptation

Rereading White Noise and Feeling Deep Dread... For Noah Baumbach’s Adaptation

Ken Gordon is Very Skeptical About Seeing Don DeLillo on Film

By Ken Gordon | November 22, 2022

<em>She Said</em> Is an Effective, Respectful Journalism Movie

She Said Is an Effective, Respectful Journalism Movie

The Film Constructively, Caringly Reenacts Jodi Kantor and Megan Twohey’s Investigation into the Crimes of Harvey Weinstein

By Olivia Rutigliano | November 18, 2022

Finding a Hero in Wednesday Addams as a Closeted and Neurodivergent Tween

Finding a Hero in Wednesday Addams as a Closeted and Neurodivergent Tween

Aisling Walsh Celebrates the Return of the Iconic Outcast

By Aisling Walsh | November 18, 2022

In Sebastián Lelio’s Adaptation of <em>The Wonder</em>, Stories Can Kill

In Sebastián Lelio’s Adaptation of The Wonder, Stories Can Kill

Florence Pugh Carries the New Film Based on Emma Donoghue’s Novel

By Michelle Nijhuis | November 18, 2022

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