Literary Hub » Film and TV

Line for (Picket) Line: How Authors Are Standing With the WGA

Line for (Picket) Line: How Authors Are Standing With the WGA

Alexis Gunderson on the Power of Writerly Solidarity

By Alexis Gunderson | June 1, 2023

From the Ashes of Failure: On Cary Grant, Crop Dusters, and Character Arcs

From the Ashes of Failure: On Cary Grant, Crop Dusters, and Character Arcs

Meg Shaffer Considers How Hitchcock Needed North by Northwest to Be a Hit

By Meg Shaffer | June 1, 2023

Part of Our World: On the Mermaids of Walt Disney, Hans Christian Andersen, and W.B. Yeats

Part of Our World: On the Mermaids of Walt Disney, Hans Christian Andersen, and W.B. Yeats

Gabrielle Bellot: “The mermaid is the Other; she is also us.”

By Gabrielle Bellot | May 31, 2023

How Hugh Howey Imagines the Real World as a Science Fictional Version of Reality

How Hugh Howey Imagines the Real World as a Science Fictional Version of Reality

In Conversation with Andrew Keen on Keen On

By Keen On | May 31, 2023

Paul Schrader’s <em>Master Gardener</em> Doesn’t See the Forest for the Trees

Paul Schrader’s Master Gardener Doesn’t See the Forest for the Trees

The Third of Schrader's “God's Lonely Men” Trilogy Promises a Fruitful Plot but Is Sadly Under-Seeded

By Olivia Rutigliano | May 26, 2023

From Streaming Wars to Star Wars with Erich Schwartzel

From Streaming Wars to Star Wars with Erich Schwartzel

In Conversation with John Burnham Schwartz on Sun Valley Writers’ Conference’s Beyond the Page

By Sun Valley Writers' Conference | May 26, 2023

Best Reviewed
Books of the Week

Saying Goodbye: Hannah Lillith Assadi on Brian Cox, Logan Roy, and Her Father

By Hannah Lillith Assadi | May 26, 2023

Finding the Humor in Watergate: Co-Author Matthew Krogh on the White House Plumbers Adaptation

By Matthew Krogh | May 25, 2023

On Jane Austen and The Lovable Unlikability of Emma Woodhouse

By Emily Harding | May 24, 2023

Martin Amis on the Genius of Jane Austen (and What the Adaptations Get Wrong)

Martin Amis on the Genius of Jane Austen (and What the Adaptations Get Wrong)

Or: Trapped in a Movie Theater with Salman Rushdie, c. 1996

By Martin Amis | May 22, 2023

How Screenwriting Can Help You Write Stronger Fiction

How Screenwriting Can Help You Write Stronger Fiction

Crystal Smith Paul Offers Craft Advice that Spans the Spectum of Genre

By Crystal Smith Paul | May 19, 2023

We finally have a trailer for <em>Killers of the Flower Moon</em>.

We finally have a trailer for Killers of the Flower Moon.

By Dan Sheehan | May 18, 2023

The Person Who Wrote It Is Eating Ramen: Samantha Irby on Writing for TV

The Person Who Wrote It Is Eating Ramen: Samantha Irby on Writing for TV

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 18, 2023

Murakami Bingo: Is Animation the Ideal Form for Adapting the “Undadaptable” Author?

Murakami Bingo: Is Animation the Ideal Form for Adapting the “Undadaptable” Author?

A Survey of Murakami Reimaginings, from Burning to Blind Willow, Sleeping Woman

By Ryan Bedsaul | May 18, 2023

Ty Burr on Why Hitchcock’s <em>Vertigo</em> Still Matters

Ty Burr on Why Hitchcock’s Vertigo Still Matters

In Conversation with Andrew Keen on Keen On

By Keen On | May 18, 2023

The Stakes of the Writers’ Strike: Benjamin Percy on the WGA Walkout, Streaming, and the Survival of Screenwriting

The Stakes of the Writers’ Strike: Benjamin Percy on the WGA Walkout, Streaming, and the Survival of Screenwriting

in Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | May 18, 2023

« First ‹ Previous 17 18 19 202122 23 24 25 Next ›Last »

Page 21 of 89