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How Richard Wright’s <em>Native Son</em> Eventually Made It to the Big Screen

How Richard Wright’s Native Son Eventually Made It to the Big Screen

Charlene Regester on the Fraught Relationship Between Early Black Writers and the American Film Industry

By Charlene Regester | February 29, 2024

Kyle MacLachlan Keeps Himself Open

Kyle MacLachlan Keeps Himself Open

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | February 27, 2024

“What If We Weren’t Afraid to Tell the Hard Truths?” Chris Chalk on Playing James Baldwin

“What If We Weren’t Afraid to Tell the Hard Truths?” Chris Chalk on Playing James Baldwin

“Being Baldwin requires you to be free. It’s mandatory.”

By Dan Sheehan | February 21, 2024

What Writing TV Soap Operas Taught Me About Writing Novels

What Writing TV Soap Operas Taught Me About Writing Novels

Ellen Feldman on the Fine Art of the Commercial Break

By Ellen Feldman | February 21, 2024

Always Rooting for the Antihero: How Three TV Shows Have Defined 21st-Century America

Always Rooting for the Antihero: How Three TV Shows Have Defined 21st-Century America

Michiko Kakutani on Our Love-Hate Affair with Outsiders and Outlaws

By Michiko Kakutani | February 20, 2024

On Ten Iconic Women Writers of Film and Television

On Ten Iconic Women Writers of Film and Television

Li Patron and Forsyth Harmon Explore Thirty Years of Representation on the Big and Small Screen

By Li Patron and Forsyth Harmon | February 12, 2024

Best Reviewed
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  • Glyph
  • Dog Days
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  • Keeper of My Kin: Memoir of an Immigrant Daughter
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Lisa Frankenstein is a Charming Comedy, Even If It’s Missing Some Parts

By Olivia Rutigliano | February 9, 2024

How Stanley Kubrick Brought Stephen King’s The Shining to the Big Screen

By Robert P. Kolker and Nathan Abrams | February 8, 2024

Jacinda Townsend and James Bernard Short on American Fiction

By Fiction Non Fiction | February 8, 2024

Paul Giamatti, <br>This One’s For You: In Praise of the King of Pathos

Paul Giamatti,
This One’s For You: In Praise of the King of Pathos

Olivia Rutigliano on the Actor Who Has Never Once Phoned in a Performance

By Olivia Rutigliano | February 2, 2024

The Literary Film & TV You Need to Stream in February

The Literary Film & TV You Need to Stream in February

Because It’s Still Winter

By Emily Temple | February 1, 2024

Will Hot Shakespeare be the new Hot Priest?

Will Hot Shakespeare be the new Hot Priest?

By Emily Temple | January 30, 2024

Wesley Morris on the Disappearing Middle

Wesley Morris on the Disappearing Middle

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | January 30, 2024

So Fetch, So Fierce: In Praise of All the Literary Mean Girls

So Fetch, So Fierce: In Praise of All the Literary Mean Girls

Jennifer Keishin Armstrong Recommends Mona Awad, Kirthana Ramisetti, Anna Bogutskaya, and More

By Jennifer Keishin Armstrong | January 26, 2024

How America’s First Cinematic Black Vampire Subverted Stereotypes

How America’s First Cinematic Black Vampire Subverted Stereotypes

Odie Henderson on the Making of “Blacula” and the Broader History of Blaxploitation Cinema

By Odie Henderson | January 25, 2024

Megan Hunter on the Experience of Bringing a Novel to the Big Screen

Megan Hunter on the Experience of Bringing a Novel to the Big Screen

The Author of “The End We Start From” Takes the Lit Hub Questionnaire

By Literary Hub | January 24, 2024

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    • Pop Novelist: Rereading Michael Crichton’s 'Sphere'May 27, 2026 by Ian Mackenzie
    • An Aria to the Mad ScientistMay 27, 2026 by Nick Cutter
    • Eli Raphael on Identity, Outsiders, and Creating Accountability in ThrillersMay 27, 2026 by Eli Raphael
    • Glyph
    • The Best Reviewed Books of the Week
    • "In her feisty graceful em Glyph em Ali Smith mulls writing and language among other…"
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