Literary Hub » Film and TV

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Considering Boom for Real: The Late-Teenage Years of Jean-Michel Basquiat While Walking Through Baltimore

By Mattilda Bernstein Sycamore | November 30, 2023

Beyond <em>Poor Things</em>: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books

Beyond Poor Things: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books

Including a Gargantuan Retelling of the History of English Literature and a Bowdlerization of The Divine Comedy

By Mazin Saleem | November 29, 2023

What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of <em>Apocalypse Now</em>?

What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of Apocalypse Now?

The Disturbing—and Revealing—Story Behind an Iconic Moment in Cinema History

By Sam Wasson | November 28, 2023

Benny Safdie on Capturing Life on Film

Benny Safdie on Capturing Life on Film

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 28, 2023

The Stars Are Hollow: On <em>Gilmore Girls</em> as “Normporn”

The Stars Are Hollow: On Gilmore Girls as “Normporn”

Karen Tongson Ventures to the WB Backlot for a “Gilmore Girls Holiday”

By Karen Tongson | November 22, 2023

<em>Maestro</em> Slips into Easy Conversation with <em>A Star is Born</em>

Maestro Slips into Easy Conversation with A Star is Born

Frank Falisi on the New Leonard Bernstein Biopic and Its Director-Star Bradley Cooper

By Frank Falisi | November 22, 2023

Best Reviewed
Books of the Week

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

By Zach Schonfeld | November 20, 2023

How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

By Paul Morton | November 20, 2023

The Pyschedelic Life and Art of David Edward Byrd

By Robert von Goeben | November 20, 2023

<em>Leave the World Behind</em> is a Tense, Uneasy Thriller

Leave the World Behind is a Tense, Uneasy Thriller

Olivia Rutigliano on Sam Esmail’s Adaptation of Rumaan Alam’s National Book Award-Nominated Novel

By Olivia Rutigliano | November 17, 2023

How <em>Siskel & Ebert</em> Brought Movies to the People

How Siskel & Ebert Brought Movies to the People

Matt Singer on the Bygone Era Before Movie Clips

By Matt Singer | November 17, 2023

Why <em>Maurice</em> is Still a Resonant Text for the Queer Audience

Why Maurice is Still a Resonant Text for the Queer Audience

David Greven Defends a Merchant Ivory Adaptation

By David Greven | November 15, 2023

<em>Dream Scenario</em> is a Worthwhile Head Trip

Dream Scenario is a Worthwhile Head Trip

The new film starring Nicolas Cage is a thoughtful and engaging, if slightly overambitious, meditation on fame, attention, and parasocial connection.

By Olivia Rutigliano | November 10, 2023

Sweet Nothings: On the Emptiness of Sofia Coppola’s <em>Priscilla</em>

Sweet Nothings: On the Emptiness of Sofia Coppola’s Priscilla

Hannah Bonner on the Director’s Latest “Waiting Woman”

By Hannah Bonner | November 10, 2023

The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

Apple TV+ Isn’t Moving Forward with a Series Adaptation of The Custom of the Country. It’s Their Loss.

By Emily J. Orlando | November 8, 2023

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Scott Eyman on the Making and Legacy of The Great Dictator

By Scott Eyman | November 3, 2023

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