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Your Literary Guide to the 2024 Oscars

Your Literary Guide to the 2024 Oscars

Ryan Coleman on This Year’s Academy Award Nominees for Best Original and Adapted Screenplay

By Ryan Coleman | March 4, 2024

Why Voting in The Oscars (and in Politics) Is Broken, and How to Fix Both

Why Voting in The Oscars (and in Politics) Is Broken, and How to Fix Both

Ismar Volić on Why We Need to Abandon Winner-Take-All Voting

By Ismar Volić | March 4, 2024

The Literary Film & TV You Need to Stream in March

The Literary Film & TV You Need to Stream in March

Spring? Spring? Spring?

By Emily Temple | March 1, 2024

How Richard Wright’s <em>Native Son</em> Eventually Made It to the Big Screen

How Richard Wright’s Native Son Eventually Made It to the Big Screen

Charlene Regester on the Fraught Relationship Between Early Black Writers and the American Film Industry

By Charlene Regester | February 29, 2024

Kyle MacLachlan Keeps Himself Open

Kyle MacLachlan Keeps Himself Open

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | February 27, 2024

“What If We Weren’t Afraid to Tell the Hard Truths?” Chris Chalk on Playing James Baldwin

“What If We Weren’t Afraid to Tell the Hard Truths?” Chris Chalk on Playing James Baldwin

“Being Baldwin requires you to be free. It’s mandatory.”

By Dan Sheehan | February 21, 2024

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
  • The Hill
  • Look What You Made Me Do
  • Backtalker: An American Memoir
  • Mighty Real: A History of LGBTQ Music, 1969-2000
  • Glyph
  • The Village on the Edge of the World: Writing and Surviving in Ceausescu's Romania
  • Dog Days

What Writing TV Soap Operas Taught Me About Writing Novels

By Ellen Feldman | February 21, 2024

Always Rooting for the Antihero: How Three TV Shows Have Defined 21st-Century America

By Michiko Kakutani | February 20, 2024

On Ten Iconic Women Writers of Film and Television

By Li Patron and Forsyth Harmon | February 12, 2024

<em>Lisa Frankenstein</em> is a Charming Comedy, Even If It’s Missing Some Parts

Lisa Frankenstein is a Charming Comedy, Even If It’s Missing Some Parts

Olivia Rutigliano on Diablo Cody and Zelda Williams's 80s-throwback, Mary-Shelley-indebted, high-school zom-com

By Olivia Rutigliano | February 9, 2024

How Stanley Kubrick Brought Stephen King’s <em>The Shining</em> to the Big Screen

How Stanley Kubrick Brought Stephen King’s The Shining to the Big Screen

Robert P. Kolker and Nathan Abrams on the Director's Pivotal Role in the Horror Boom of the 1970s

By Robert P. Kolker and Nathan Abrams | February 8, 2024

Jacinda Townsend and James Bernard Short on <em>American Fiction</em>

Jacinda Townsend and James Bernard Short on American Fiction

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 8, 2024

Paul Giamatti, <br>This One’s For You: In Praise of the King of Pathos

Paul Giamatti,
This One’s For You: In Praise of the King of Pathos

Olivia Rutigliano on the Actor Who Has Never Once Phoned in a Performance

By Olivia Rutigliano | February 2, 2024

The Literary Film & TV You Need to Stream in February

The Literary Film & TV You Need to Stream in February

Because It’s Still Winter

By Emily Temple | February 1, 2024

Will Hot Shakespeare be the new Hot Priest?

Will Hot Shakespeare be the new Hot Priest?

By Emily Temple | January 30, 2024

Wesley Morris on the Disappearing Middle

Wesley Morris on the Disappearing Middle

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | January 30, 2024

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Page 21 of 116
    • Finally, Moriarty is Getting His Own TV ShowMay 29, 2026 by Olivia Rutigliano
    • How Would Ian Fleming Write James Bond Today?May 29, 2026 by Kim Sherwood
    • The Top 10 Classic Detective Novels, According to Jeffrey ArcherMay 29, 2026 by Jeffrey Archer
    • The Things We Never Say
    • The Best Reviewed Books of the Month
    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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