Literary Hub » Film and TV

<em>The Last Voyage of the Demeter</em> is a Creative <em>Dracula</em> Adaptation That Bites Off a Bit More Than It Can Chew

The Last Voyage of the Demeter is a Creative Dracula Adaptation That Bites Off a Bit More Than It Can Chew

Olivia Rutigliano Grades André Øvredal's New Film on a Curve

By Olivia Rutigliano | August 11, 2023

On the Men Who Lent Their Bodies (and Voices) to the Earliest Iterations of Superman

On the Men Who Lent Their Bodies (and Voices) to the Earliest Iterations of Superman

A Wrestler, a Sunday School Teacher, and a Mystery Man Walk into a Studio

By Paul Morton | August 10, 2023

Watch the creepy first trailer for <em>The Changeling</em>.

Watch the creepy first trailer for The Changeling.

By Dan Sheehan | August 8, 2023

How Casting Helen of Troy Becomes an Exercise in Female Power

How Casting Helen of Troy Becomes an Exercise in Female Power

“Helen’s spell has always depended, in part, on her own erotic agency, exercised in defiance of male authority.”

By Ruby Blondell | August 7, 2023

Adrian Tomine on the Delight of Collaborating on the <em>Shortcomings</em> Adaptation

Adrian Tomine on the Delight of Collaborating on the Shortcomings Adaptation

“My wife was actually kind of freaked out by how happy I was during that time.”

By Adrian Tomine | August 4, 2023

The Ineffable Romance of <em>Good Omens</em>... Four Years, One Pandemic, and Two Hollywood Strikes Later

The Ineffable Romance of Good Omens... Four Years, One Pandemic, and Two Hollywood Strikes Later

Alexis Gunderson on the Funny Calm Before a Storm

By Alexis Gunderson | August 4, 2023

Best Reviewed
Books of the Week

Becoming Others: Enacting the Transness of Virginia Woolf’s Orlando

By Hannah Bonner | August 3, 2023

Watch the trailer for the new Joyce Carol Oates documentary.

By Dan Sheehan | July 28, 2023

The Literary Film and TV You Need to Stream in August

By Emily Temple | July 28, 2023

How <em>Barbie</em> Captures the Plasticity of Our Surreal Times

How Barbie Captures the Plasticity of Our Surreal Times

In Conversation with Andrew Keen on Keen On

By Keen On | July 28, 2023

On the Historical and Contemporary Significance of <em>Oppenheimer</em>

On the Historical and Contemporary Significance of Oppenheimer

In Conversation with Andrew Keen on Keen On

By Keen On | July 27, 2023

Greta Gerwig’s <em>Barbie</em> is a Fascinating, Spectacular Philosophical Experiment

Greta Gerwig’s Barbie is a Fascinating, Spectacular Philosophical Experiment

Barbie Literalizes the Abstract and Abstracts the Literal in an Engaging, Thought-Provoking Inquiry into the Female Experience

By Olivia Rutigliano | July 21, 2023

How to Adapt Stephen King: A Conversation with the Duo Behind <em>The Boogeyman</em>

How to Adapt Stephen King: A Conversation with the Duo Behind The Boogeyman

Jonathan Russell Clark Chats with Screenwriters Scott Beck and Bryan Woods

By Jonathan Russell Clark | July 21, 2023

Time Out of Mind: On the Ahistorical Cinematic Adaptation

Time Out of Mind: On the Ahistorical Cinematic Adaptation

A 1973 Bruno Schulz Adaptation Goes (Temporally) Beyond Its Source Material—and It’s Not Alone

By Tobias Carroll | July 21, 2023

The Race to Make Hollywood’s First Atomic Bomb Movie

The Race to Make Hollywood’s First Atomic Bomb Movie

Before Christopher Nolan’s Oppenheimer, the World Nearly Got Ayn Rand’s ”Tribute to Free Enterprise”

By Greg Mitchell | July 17, 2023

Can Writers Have Fun? <em>Afire</em> is a Character Study of a Self-Absorbed Novelist

Can Writers Have Fun? Afire is a Character Study of a Self-Absorbed Novelist

Elissa Suh on Christian Petzold’s New Comedy of Manners

By Elissa Suh | July 14, 2023

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