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What Writers Can Learn From Adapting Their Own Work for the Screen

What Writers Can Learn From Adapting Their Own Work for the Screen

Sarah Tomlinson on the Slow Yet Satisfying Process of Getting a Book on Film

By Sarah Tomlinson | March 11, 2024

The Literary Hub cheat sheet to the Oscars.

The Literary Hub cheat sheet to the Oscars.

By Olivia Rutigliano | March 8, 2024

Dr. Seema Jilani on What She Saw in Gaza

Dr. Seema Jilani on What She Saw in Gaza

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | March 7, 2024

Who Killed Prestige TV? Toward a “Good Fan” Theory of Television

Who Killed Prestige TV? Toward a “Good Fan” Theory of Television

M.C. Mah on the Rise and Fall and Rise of Endless Streaming

By M. C. Mah | March 7, 2024

Your Literary Guide to the 2024 Oscars

Your Literary Guide to the 2024 Oscars

Ryan Coleman on This Year’s Academy Award Nominees for Best Original and Adapted Screenplay

By Ryan Coleman | March 4, 2024

Why Voting in The Oscars (and in Politics) Is Broken, and How to Fix Both

Why Voting in The Oscars (and in Politics) Is Broken, and How to Fix Both

Ismar Volić on Why We Need to Abandon Winner-Take-All Voting

By Ismar Volić | March 4, 2024

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

The Literary Film & TV You Need to Stream in March

By Emily Temple | March 1, 2024

How Richard Wright’s Native Son Eventually Made It to the Big Screen

By Charlene Regester | February 29, 2024

Kyle MacLachlan Keeps Himself Open

By Talk Easy | February 27, 2024

“What If We Weren’t Afraid to Tell the Hard Truths?” Chris Chalk on Playing James Baldwin

“What If We Weren’t Afraid to Tell the Hard Truths?” Chris Chalk on Playing James Baldwin

“Being Baldwin requires you to be free. It’s mandatory.”

By Dan Sheehan | February 21, 2024

What Writing TV Soap Operas Taught Me About Writing Novels

What Writing TV Soap Operas Taught Me About Writing Novels

Ellen Feldman on the Fine Art of the Commercial Break

By Ellen Feldman | February 21, 2024

Always Rooting for the Antihero: How Three TV Shows Have Defined 21st-Century America

Always Rooting for the Antihero: How Three TV Shows Have Defined 21st-Century America

Michiko Kakutani on Our Love-Hate Affair with Outsiders and Outlaws

By Michiko Kakutani | February 20, 2024

On Ten Iconic Women Writers of Film and Television

On Ten Iconic Women Writers of Film and Television

Li Patron and Forsyth Harmon Explore Thirty Years of Representation on the Big and Small Screen

By Li Patron and Forsyth Harmon | February 12, 2024

<em>Lisa Frankenstein</em> is a Charming Comedy, Even If It’s Missing Some Parts

Lisa Frankenstein is a Charming Comedy, Even If It’s Missing Some Parts

Olivia Rutigliano on Diablo Cody and Zelda Williams's 80s-throwback, Mary-Shelley-indebted, high-school zom-com

By Olivia Rutigliano | February 9, 2024

How Stanley Kubrick Brought Stephen King’s <em>The Shining</em> to the Big Screen

How Stanley Kubrick Brought Stephen King’s The Shining to the Big Screen

Robert P. Kolker and Nathan Abrams on the Director's Pivotal Role in the Horror Boom of the 1970s

By Robert P. Kolker and Nathan Abrams | February 8, 2024

Jacinda Townsend and James Bernard Short on <em>American Fiction</em>

Jacinda Townsend and James Bernard Short on American Fiction

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 8, 2024

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Page 13 of 89
    • What Character Are You in a Traditional English Murder Mystery?January 14, 2026 by Olivia Rutigliano
    • City of Secrets: 7 Novels that Delve into the Great Mysteries of OxfordJanuary 14, 2026 by A.D. Bell
    • 6 Moody, Atmospheric Novels That Explore Womanhood and Societal ExpectationsJanuary 14, 2026 by Rebecca Hannigan
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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