What Writing TV Soap Operas Taught Me About Writing Novels

What Writing TV Soap Operas Taught Me About Writing Novels

Ellen Feldman on the Fine Art of the Commercial Break

By Ellen Feldman | February 21, 2024

Always Rooting for the Antihero: How Three TV Shows Have Defined 21st-Century America

Always Rooting for the Antihero: How Three TV Shows Have Defined 21st-Century America

Michiko Kakutani on Our Love-Hate Affair with Outsiders and Outlaws

By Michiko Kakutani | February 20, 2024

On Ten Iconic Women Writers of Film and Television

On Ten Iconic Women Writers of Film and Television

Li Patron and Forsyth Harmon Explore Thirty Years of Representation on the Big and Small Screen

By Li Patron and Forsyth Harmon | February 12, 2024

<em>Lisa Frankenstein</em> is a Charming Comedy, Even If It’s Missing Some Parts

Lisa Frankenstein is a Charming Comedy, Even If It’s Missing Some Parts

Olivia Rutigliano on Diablo Cody and Zelda Williams's 80s-throwback, Mary-Shelley-indebted, high-school zom-com

By Olivia Rutigliano | February 9, 2024

How Stanley Kubrick Brought Stephen King’s <em>The Shining</em> to the Big Screen

How Stanley Kubrick Brought Stephen King’s The Shining to the Big Screen

Robert P. Kolker and Nathan Abrams on the Director's Pivotal Role in the Horror Boom of the 1970s

By Robert P. Kolker and Nathan Abrams | February 8, 2024

Jacinda Townsend and James Bernard Short on <em>American Fiction</em>

Jacinda Townsend and James Bernard Short on American Fiction

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 8, 2024

Best Reviewed
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  • House of Day, House of Night
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  • Casanova 20: Or, Hot World
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Paul Giamatti,
This One’s For You: In Praise of the King of Pathos

By Olivia Rutigliano | February 2, 2024

The Literary Film & TV You Need to Stream in February

By Emily Temple | February 1, 2024

Will Hot Shakespeare be the new Hot Priest?

By Emily Temple | January 30, 2024

Wesley Morris on the Disappearing Middle

Wesley Morris on the Disappearing Middle

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | January 30, 2024

So Fetch, So Fierce: In Praise of All the Literary Mean Girls

So Fetch, So Fierce: In Praise of All the Literary Mean Girls

Jennifer Keishin Armstrong Recommends Mona Awad, Kirthana Ramisetti, Anna Bogutskaya, and More

By Jennifer Keishin Armstrong | January 26, 2024

How America’s First Cinematic Black Vampire Subverted Stereotypes

How America’s First Cinematic Black Vampire Subverted Stereotypes

Odie Henderson on the Making of “Blacula” and the Broader History of Blaxploitation Cinema

By Odie Henderson | January 25, 2024

Megan Hunter on the Experience of Bringing a Novel to the Big Screen

Megan Hunter on the Experience of Bringing a Novel to the Big Screen

The Author of “The End We Start From” Takes the Lit Hub Questionnaire

By Literary Hub | January 24, 2024

Dan Levy on Not Fearing Sincerity

Dan Levy on Not Fearing Sincerity

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | January 24, 2024

Ava DuVernay on Not Losing Track of What Matters

Ava DuVernay on Not Losing Track of What Matters

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | January 18, 2024

Here’s Your 2024 Literary Film & TV Preview

Here’s Your 2024 Literary Film & TV Preview

53 Shows and Movies to Stream and See This Year

By Emily Temple | January 10, 2024

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