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  • Craft and Criticism
    • Literary Criticism
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Time and Materials: On the Art of the Experimental Memoir

Time and Materials: On the Art of the Experimental Memoir

John West Considers the Literary Fragment

By John West | April 5, 2023

“I’m Pretty Keen on Fact.” Margaret Atwood on the Questions We Must Ask Ourselves

“I’m Pretty Keen on Fact.” Margaret Atwood on the Questions We Must Ask Ourselves

Introducing the Talk Easy Podcast with Sam Fragoso

By Talk Easy | April 4, 2023

Daniel M. Lavery on the Reckless Optimism of Advice Columnists

Daniel M. Lavery on the Reckless Optimism of Advice Columnists

“The letter-writer is free to cheerfully ignore the advice columnist.”

By Daniel M. Lavery | April 4, 2023

Charles Frazier on How the Past Converses With the Present

Charles Frazier on How the Past Converses With the Present

Jane Ciabattari Talks to the Author of The Trackers

By Jane Ciabattari | April 4, 2023

Heather Bourbeau on the Themed Poetry Collection

Heather Bourbeau on the Themed Poetry Collection

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | April 4, 2023

Kelly Link on Short Stories Cannibalizing Her Novel Ideas

Kelly Link on Short Stories Cannibalizing Her Novel Ideas

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | April 4, 2023

Best Reviewed
Books of the Week

  • Joyride: A Memoir
  • A Guardian and a Thief
  • Minor Black Figures
  • True Nature: The Pilgrimage of Peter Matthiessen
  • The Wayfinder
  • Unabridged: The Thrill of (and Threat To) the Modern Dictionary

Clint Smith: “What Does it Mean to Carry Wonder and Despair in Your Body at the Same Time?”

By First Draft: A Dialogue on Writing | April 3, 2023

How to Pitch to a Literary Agent

By Otherppl with Brad Listi | April 3, 2023

Fabio Pusterla on Discovering a Lifelong Love of Poetry

By Fabio Pusterla and Will Schutt | April 3, 2023

On the Nested Worlds of Novelist Marina Warner

On the Nested Worlds of Novelist Marina Warner

Lucy Scholes Revisits Booker Shortlisted The Lost Father

By Lucy Scholes | April 3, 2023

How Octavia Butler’s <em>Kindred</em> Became a Novel

How Octavia Butler’s Kindred Became a Novel

Michael Silverblatt Talks with Octavia Butler About Historical Research, Trauma, Touch, and More

By Michael Silverblatt | March 31, 2023

Grant Faulkner on Capturing the Essence of a Short Story

Grant Faulkner on Capturing the Essence of a Short Story

“It’s the writer’s job to capture essences in words.”

By Grant Faulkner | March 31, 2023

Leslye Penelope on the Historic 1919 Trial That Fueled Her New Magical Heist Novel

Leslye Penelope on the Historic 1919 Trial That Fueled Her New Magical Heist Novel

In Conversation with Rob Wolf on the New Books Network

By New Books Network | March 31, 2023

Exit Strategies: So How Are You Supposed to End a Story?

Exit Strategies: So How Are You Supposed to End a Story?

Allegra Hyde on Fiction’s Favorite Endings

By Allegra Hyde | March 30, 2023

Ayad Akhtar on the Expectations of Artists

Ayad Akhtar on the Expectations of Artists

The Keynote Address From Last Night's Whiting Awards Ceremony

By Ayad Akhtar | March 30, 2023

Idra Novey: I Didn’t Want to Write an Obituary for Appalachia

Idra Novey: I Didn’t Want to Write an Obituary for Appalachia

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 30, 2023

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