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Megan Fernandes on the Literary Uses of a Room

Megan Fernandes on the Literary Uses of a Room

"Rooms are springboards for time and time is for the poets."

By Megan Fernandes | July 14, 2023

Many Voices, Many Truths: On the Benefits of Polyvocal Stories

Many Voices, Many Truths: On the Benefits of Polyvocal Stories

How Hannah Michell Transcends the Single Perspective

By Hannah Michell | July 14, 2023

Kevin R. Free on Developing Relationships with Authors and Characters

Kevin R. Free on Developing Relationships with Authors and Characters

The 2023 Golden Voice Narrator in Conversation with Jo Reed

By Behind the Mic | July 14, 2023

Imposters, Insiders, and Interlopers: Amy Rowland on Writing About Rural America

Imposters, Insiders, and Interlopers: Amy Rowland on Writing About Rural America

“It doesn’t matter if you’re worthy of doing it. It matters that it’s worthy of doing.”

By Amy Rowland | July 13, 2023

Ruth Madievsky on the Semi-Cursed Nightlife of Los Angeles

Ruth Madievsky on the Semi-Cursed Nightlife of Los Angeles

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | July 13, 2023

Stranger Than Fiction: When Your Life Starts to Resemble Your Novel

Stranger Than Fiction: When Your Life Starts to Resemble Your Novel

Sandra A. Miller on Writing about True Events... and Living Fictional Ones

By Sandra A. Miller | July 13, 2023

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Ivy Pochoda on Women, Violence, and Making the Move From Pro Sports to Writing

By Authors in the Tent | July 12, 2023

The Rest is History: Andrew Ridker on Writing About the Recent Past

By Andrew Ridker | July 12, 2023

Inspiration, From a Distance: On Loving and Fictionalizing Ruth Bader Ginsburg

By Elizabeth L. Silver | July 12, 2023

Tom Hanks on What Nora Ephron Told Him About Writing

Tom Hanks on What Nora Ephron Told Him About Writing

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | July 11, 2023

Tessa Hadley on the Unapologetic Joys of Rereading

Tessa Hadley on the Unapologetic Joys of Rereading

The Author of After the Funeral and Other Stories Answers the Lit Hub Questionnaire

By Literary Hub | July 11, 2023

Sarah Weinman on Crime as a Catalyst for Social Change

Sarah Weinman on Crime as a Catalyst for Social Change

In Conversation with Andrew Keen on Keen On

By Keen On | July 11, 2023

Susan Williams on Charles Dickens’s <em>Bleak House</em>

Susan Williams on Charles Dickens’s Bleak House

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 11, 2023

Ruth Madievsky on Creating Fiction From Poetry

Ruth Madievsky on Creating Fiction From Poetry

Jane Ciabattari Talks to the Author of All-Night Pharmacy

By Jane Ciabattari | July 11, 2023

Kathleen Hale on How She Found Her Way to <em>Slenderman</em>

Kathleen Hale on How She Found Her Way to Slenderman

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | July 11, 2023

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Caleb Azumah Nelson, Kate Myers, Richard Russo, and More

By Teddy Wayne | July 11, 2023

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    • New Series to Watch this WeekendJanuary 30, 2026 by Olivia Rutigliano
    • Ritual, Alternate Histories, and More: 8 Novels About Secret SocietiesJanuary 30, 2026 by Karen Winn
    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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