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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
“I Won’t Kill It. I’ll Just Surprise It.” Corey Sobel on the Impact of Writing Physical Action
How Willa Cather Uses Physical Details in Service to Emotional Ends
By
Corey Sobel
| March 15, 2024
Katya Apekina Talks Psychics, Slavic Stories, and Writing as Trance
The Author of “Mother Doll” in Conversation with Melissa Ximena Golebiowski
By
Melissa Ximena Golebiowski
| March 15, 2024
From Red Riding Hood to Beowulf: On the Essential Role of Literary Reimaginings
“To tell such tales again is to tell them for the first time.”
By
Joel H. Morris
| March 14, 2024
The Barbara Comyns Novel That Got Too Real About Poverty, Giving Birth, and Women’s Lives
Avril Horner on the Extraordinary Wildness of “Our Spoons Came from Woolworths”
By
Avril Horner
| March 14, 2024
Gabriele Pedullà on Reconsidering Machiavelli
From The History of Literature Podcast with Jacke Wilson
By
History of Literature
| March 14, 2024
Wrangling the Uncertain: On Inviting Surprise Into Your Writing
Barrie Jean Borich Explores the Art of Bafflement
By
Barrie Jean Borich
| March 13, 2024
Best Reviewed
Books of the Week
Frogs, Foxes, and Folklore: Gina Chung on Drawing Inspiration from Korean Folktales
By
Gina Chung
| March 13, 2024
The Tale of Genji
: A Visual Journey Through the World’s First Novel
By
Marie Mutsuki Mockett
| March 12, 2024
Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers
By
Teddy Wayne
| March 12, 2024
Rita Bullwinkel on Playing With Fictional Time
Jane Ciabattari Talks to the Author of “Headshot”
By
Jane Ciabattari
| March 12, 2024
Anahid Nersessian on Being a Specialist and a Generalist
In Conversation with Merve Emre on The Critic and Her Publics
By
The Critic and Her Publics
| March 12, 2024
Katya Apekina on Talking to Ghosts
In Conversation with Lindsay Hunter on I'm a Writer But
By
I'm a Writer But
| March 12, 2024
Emily Raboteau and Sarah Viren on Climate Change, Birding, and Social Justice
A Conversation with the Author of “Lessons for Survival: Mothering Against the Apocalypse”
By
Sarah Viren
| March 11, 2024
Diane Seuss on Discovering Objectivity Through Aging
In Conversation with Mitzi Rapkin on the First Draft Podcast
By
First Draft: A Dialogue on Writing
| March 11, 2024
What Writers Can Learn From Adapting Their Own Work for the Screen
Sarah Tomlinson on the Slow Yet Satisfying Process of Getting a Book on Film
By
Sarah Tomlinson
| March 11, 2024
Armen Davoudian on Immigration, Enjambments, and How Poems Can Make Loss Tangible
The Author of “The Palace of Forty Pillars” in Conversation with Poets.org
By
Literary Hub
| March 11, 2024
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Page 54 of 258
Woolrich’s Window: Adrian McKinty on Visiting the Apartment of a Noir Master
November 13, 2025
by
Adrian McKinty
How Southern Crime Fiction Became a Publishing Powerhouse
November 13, 2025
by
Leigh Dunlap
Silence That Screams: On Hysteria, Hauntings, and Why Every Story Is a Ghost Story
November 13, 2025
by
Meagan Church
The Best Reviewed Books of the Week
"Permeated by a deep affection for the city of Tokyo its cuisine its mass transit…"