Literary Hub » Biography

Complex Nostalgia for a Bygone Era: Alex Auder on Her Chelsea Hotel Childhood

Complex Nostalgia for a Bygone Era: Alex Auder on Her Chelsea Hotel Childhood

Amanda Chemeche Talks to the Author of “Don’t Call Me Home”

By Amanda Chemeche | February 1, 2024

Collaboration, Not Competition: How Betty Smith Helped Her Fellow Writers

Collaboration, Not Competition: How Betty Smith Helped Her Fellow Writers

Rachel Gordan on the Epistolary Relationships Maintained by the Author of “A Tree Grows in Brooklyn”

By Rachel Gordan | January 29, 2024

The Revolutionary Stranger: How Frantz Fanon Put Theory Into Practice

The Revolutionary Stranger: How Frantz Fanon Put Theory Into Practice

Adam Shatz on the Life and Legacy of a Great Post-Colonialism Thinker

By Adam Shatz | January 25, 2024

What Virginia Woolf’s “Dreadnought Hoax” Tells Us About Ourselves

What Virginia Woolf’s “Dreadnought Hoax” Tells Us About Ourselves

Danell Jones Grapples With a Beloved Author’s Casual Racism

By Danell Jones | January 25, 2024

Why We Should All Read <br>Hannah Arendt Now

Why We Should All Read
Hannah Arendt Now

Lyndsey Stonebridge on “The Origins of Totalitarianism” and the Failure of Democracy

By Lyndsey Stonebridge | January 18, 2024

Autofiction Without the Auto: On Javier Cercas’ Outward-Looking, Self-Centered Fiction

Autofiction Without the Auto: On Javier Cercas’ Outward-Looking, Self-Centered Fiction

Bécquer Seguín Considers the Emergence of a New Type of Literature in Post-Franco Spain

By Bécquer Seguín | January 10, 2024

Best Reviewed
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Between Anxiety and Hope: On the Cautious Optimism of Lewis Thomas

By Sukhada Tatke | December 20, 2023

Fierce, Fearless and Fun: How Maggie Higgins Broke New Ground For Women in Journalism

By Jennet Conant | December 15, 2023

“Is That a First Edition of The Iliad?” Meet One of History’s Great Manuscript Forgers

By Christopher de Hamel | November 30, 2023

Who Doesn’t Like Music? Nabokov, For Starters

Who Doesn’t Like Music? Nabokov, For Starters

On the Odd Case of the Musical Anhedonic

By Michel Faber | November 29, 2023

When Publishing F. Scott Fitzgerald is the Family Business

When Publishing F. Scott Fitzgerald is the Family Business

Charles Scribner III on Three Generations in the Book Business

By Charles Scribner III | November 28, 2023

Gabriel García Márquez on the Magic of Juan Rulfo

Gabriel García Márquez on the Magic of Juan Rulfo

A Foreword to the Classic Mexican Novel Pedro Páramo

By Gabriel García Márquez | November 27, 2023

Visiting Vonnegut’s Indianapolis

Visiting Vonnegut’s Indianapolis

Taylor Dorrell on the City Where the Legendary Writer Lived (but Was Not Laid to Rest)

By Taylor Dorrell | November 22, 2023

<em>Maestro</em> Slips into Easy Conversation with <em>A Star is Born</em>

Maestro Slips into Easy Conversation with A Star is Born

Frank Falisi on the New Leonard Bernstein Biopic and Its Director-Star Bradley Cooper

By Frank Falisi | November 22, 2023

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

Zach Schonfeld on a Family Not Unlike the Corleones

By Zach Schonfeld | November 20, 2023

How the Publicity Campaign for <em>Killers of the Flower Moon</em> Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

Paul Morton on the Performance of Authenticity and the Native Stories Left to Tell

By Paul Morton | November 20, 2023

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