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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Biography
Complex Nostalgia for a Bygone Era: Alex Auder on Her Chelsea Hotel Childhood
Amanda Chemeche Talks to the Author of “Don’t Call Me Home”
By
Amanda Chemeche
| February 1, 2024
Collaboration, Not Competition: How Betty Smith Helped Her Fellow Writers
Rachel Gordan on the Epistolary Relationships Maintained by the Author of “A Tree Grows in Brooklyn”
By
Rachel Gordan
| January 29, 2024
The Revolutionary Stranger: How Frantz Fanon Put Theory Into Practice
Adam Shatz on the Life and Legacy of a Great Post-Colonialism Thinker
By
Adam Shatz
| January 25, 2024
What Virginia Woolf’s “Dreadnought Hoax” Tells Us About Ourselves
Danell Jones Grapples With a Beloved Author’s Casual Racism
By
Danell Jones
| January 25, 2024
Why We Should All Read
Hannah Arendt Now
Lyndsey Stonebridge on “The Origins of Totalitarianism” and the Failure of Democracy
By
Lyndsey Stonebridge
| January 18, 2024
Autofiction Without the Auto: On Javier Cercas’ Outward-Looking, Self-Centered Fiction
Bécquer Seguín Considers the Emergence of a New Type of Literature in Post-Franco Spain
By
Bécquer Seguín
| January 10, 2024
Best Reviewed
Books of the Week
Between Anxiety and Hope: On the Cautious Optimism of Lewis Thomas
By
Sukhada Tatke
| December 20, 2023
Fierce, Fearless and Fun: How Maggie Higgins Broke New Ground For Women in Journalism
By
Jennet Conant
| December 15, 2023
“Is That a First Edition of
The Iliad
?” Meet One of History’s Great Manuscript Forgers
By
Christopher de Hamel
| November 30, 2023
Who Doesn’t Like Music? Nabokov, For Starters
On the Odd Case of the Musical Anhedonic
By
Michel Faber
| November 29, 2023
When Publishing F. Scott Fitzgerald is the Family Business
Charles Scribner III on Three Generations in the Book Business
By
Charles Scribner III
| November 28, 2023
Gabriel García Márquez on the Magic of Juan Rulfo
A Foreword to the Classic Mexican Novel Pedro Páramo
By
Gabriel García Márquez
| November 27, 2023
Visiting Vonnegut’s Indianapolis
Taylor Dorrell on the City Where the Legendary Writer Lived (but Was Not Laid to Rest)
By
Taylor Dorrell
| November 22, 2023
Maestro
Slips into Easy Conversation with
A Star is Born
Frank Falisi on the New Leonard Bernstein Biopic and Its Director-Star Bradley Cooper
By
Frank Falisi
| November 22, 2023
On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola
Zach Schonfeld on a Family Not Unlike the Corleones
By
Zach Schonfeld
| November 20, 2023
How the Publicity Campaign for
Killers of the Flower Moon
Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour
Paul Morton on the Performance of Authenticity and the Native Stories Left to Tell
By
Paul Morton
| November 20, 2023
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Page 12 of 64
The Wild Ride Behind Spike Lee's Latest NYC Opus, 'Highest 2 Lowest'
October 30, 2025
by
Patrick J. Sauer
Weird Girl Lit Galore: 10 Novels Featuring Unabashedly Unhinged Female Characters
October 30, 2025
by
Heather Colley
5 Central Texas Hubs for Horror Books and Movies
October 30, 2025
by
Jess Hagemann
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"