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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
    • Short Story
    • From the Novel
    • Poem
  • News and Culture
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    • Awakeners
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    • The Critic and Her Publics
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    • Memoir Nation
    • Beyond the Page
    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
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  • CrimeReads
    • True Crime
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  • Log In
Aparna Nancherla on Writing as a Procrastinator

Aparna Nancherla on Writing as a Procrastinator

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 28, 2023

Mona Awad on Beauty Cults and Tom Cruise

Mona Awad on Beauty Cults and Tom Cruise

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | September 28, 2023

Listen to a Future Fable from Regina Kanyu Wang: “A Day of Snaky”

Listen to a Future Fable from Regina Kanyu Wang: “A Day of Snaky”

From Our Future Fables Podcast Series, in Partnership with Aesop

By Future Fables | September 27, 2023

Myisha Cherry on Forgiveness

Myisha Cherry on Forgiveness

In Conversation with Andrew Keen on Keen On

By Keen On | September 27, 2023

Hugh Eakin on 1939, Pablo Picasso, and Modern Art in America

Hugh Eakin on 1939, Pablo Picasso, and Modern Art in America

In Conversation with Andrew Keen on Keen On

By Keen On | September 27, 2023

Elisa Gabbert and Michael Joseph Walsh on Rilke's <em>The Notebooks of Malte Laurids Brigge</em>

Elisa Gabbert and Michael Joseph Walsh on Rilke's The Notebooks of Malte Laurids Brigge

In Conversation with Catherine Nichols on the Lit Century Podcast

By Lit Century | September 26, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Peter Slen on Thomas Paine's Common Sense

By Keen On | September 26, 2023

Jake Tapper on What Happens to People Who Get Power

By Talk Easy | September 26, 2023

Brook Manville on How Democracy Can Survive

By Keen On | September 26, 2023

Chloé Caldwell on Period as Plot

Chloé Caldwell on Period as Plot

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | September 26, 2023

Listen to a Future Fable from Caleb Azumah Nelson: “Forever We Shall”

Listen to a Future Fable from Caleb Azumah Nelson: “Forever We Shall”

From Our Future Fables Podcast Series, in Partnership with Aesop

By Future Fables | September 25, 2023

Edan Lepucki on How Editing Changed <em>Time's Mouth</em>

Edan Lepucki on How Editing Changed Time's Mouth

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 25, 2023

Kerri Maher on Writing a Novel about Jane

Kerri Maher on Writing a Novel about Jane

In Conversation with Andrew Keen on Keen On

By Keen On | September 25, 2023

Marsha Gordon on Ursula Parrott's Fascinating Life

Marsha Gordon on Ursula Parrott's Fascinating Life

From The History of Literature Podcast with Jacke Wilson

By History of Literature | September 25, 2023

Tzivia Gover on Dreaming and Writing

Tzivia Gover on Dreaming and Writing

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | September 25, 2023

Stephanie Krzywonos on Re-imagining Antarctica

Stephanie Krzywonos on Re-imagining Antarctica

This Week from the Emergence Magazine Podcast

By Emergence Magazine | September 25, 2023

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Page 39 of 343
    • We're Finally Able to Watch the Coveted Kill Bill Single CutNovember 10, 2025 by Olivia Rutigliano
    • The Power of Creating Fictional Characters Who Aren't What They SeemNovember 10, 2025 by Sheila Roberts
    • 10 New Books Coming Out This WeekNovember 10, 2025 by CrimeReads
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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