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<em>Severance</em> is a Realist Manifesto for the 21st Century

Severance is a Realist Manifesto for the 21st Century

Joel Cuthbertson on the Series’ Obsession with Emotional Reality

By Joel Cuthbertson | January 27, 2025

On Trying (and Really Failing) to Design My Own Book Cover

On Trying (and Really Failing) to Design My Own Book Cover

Mary Childs Considers the Virtues of Staying in Your Lane, Despite Her Passion for Graphic Design

By Mary Childs | January 27, 2025

Why Absolute Truth is Still Worth Pursuing In a Narrative-Driven World

Why Absolute Truth is Still Worth Pursuing In a Narrative-Driven World

Jay Nicorvo on Separating Fact From Perception While Writing a True Crime Memoir

By Jay Nicorvo | January 27, 2025

Jack Torrance and Me: On Writing and Self-Loathing in <em>The Shining</em>

Jack Torrance and Me: On Writing and Self-Loathing in The Shining

Maggie Su: "Just as part of Jack will always remain at the Overlook, my shadow is still part of me."

By Maggie Su | January 27, 2025

Alan Shapiro on Inspiration

Alan Shapiro on Inspiration

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 27, 2025

Connie Hale and Ellen Sussman on Writing Retreats

Connie Hale and Ellen Sussman on Writing Retreats

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | January 27, 2025

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Men Have Bigger Problems Than Not Reading Novels

By James Folta | January 24, 2025

This Week on the Lit Hub Podcast: On the Power of Mutual Aid

By The Lit Hub Podcast | January 24, 2025

What Should You Read Next? Here Are the Best Reviewed Books of the Week

By Book Marks | January 24, 2025

Edith Wharton and the Clarifying Rage of the Menopausal Writer

Edith Wharton and the Clarifying Rage of the Menopausal Writer

Deborah Williams on Undine Spragg, Miranda July, and “Women of a Certain Age”

By Deborah Williams | January 24, 2025

Gemma Tizzard on Researching for Historical Fiction

Gemma Tizzard on Researching for Historical Fiction

“It’s not a job for the faint of heart, or the impatient. But for those of us with brains that crave this kind of work, it is bliss.”

By Gemma Tizzard | January 24, 2025

A Self-Made Myth: How Edith Wharton Rewrote Her Own Childhood

A Self-Made Myth: How Edith Wharton Rewrote Her Own Childhood

Constance Roisin on the Author’s Construction of Herself in Fiction and in Life

By Constance Roisin | January 24, 2025

Laugh a Little: Why We All Should Be Telling More Jokes

Laugh a Little: Why We All Should Be Telling More Jokes

Alison Wood Brooks on the Importance of Humor in Building Professional and Personal Relationships

By Alison Wood Brooks | January 24, 2025

Ugh, I’m in My Friend’s Autofiction and I Hate It: Am I the Literary Asshole?

Ugh, I’m in My Friend’s Autofiction and I Hate It: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | January 23, 2025

Matter, That Curious and Complex Illusion: Grieving for the Dead in a Universe of Atoms

Matter, That Curious and Complex Illusion: Grieving for the Dead in a Universe of Atoms

Guido Tonelli on the Human Urge to Honor the Dead

By Guido Tonelli | January 23, 2025

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“In place of clear conclusions are persistent themes, like recurring notes in a song.”

By Book Marks | January 23, 2025

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    • MWA Announces the 2026 Edgar Award NominationsJanuary 20, 2026 by CrimeReads
    • 24 New and Upcoming Historical Novels To Look Forward To In 2026January 20, 2026 by Molly Odintz
    • Michael Koryta and Malcolm Kempt on Gothic Fiction and the ArcticJanuary 20, 2026 by CrimeReads
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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