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Spending Time in Joy Williams’s Celestial Waiting Rooms

Spending Time in Joy Williams’s Celestial Waiting Rooms

Nicole Miller on the Writer's Attention to the Boundary Between Being and Non-Being

By Nicole Miller | May 17, 2022

Emma Straub’s Advice for What to Wear to a Book Launch

Emma Straub’s Advice for What to Wear to a Book Launch

“Back to basics. Just hot dogs, babka, and gratitude for vaccines.”

By Emma Straub | May 17, 2022

Victoria Shorr on the Art of the Novella

Victoria Shorr on the Art of the Novella

”They take you—for one evening if you don't put it down, longer if you draw it out—to a place that you can see in sharp detail.”

By Victoria Shorr | May 17, 2022

On Reconnecting With My Korean Heritage Through Food

On Reconnecting With My Korean Heritage Through Food

For Peter Serpico Cooking Feels Like Coming Home

By Peter Serpico | May 17, 2022

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

The Author of Forbidden City Talks to Jane Ciabattari

By Jane Ciabattari | May 17, 2022

On the Politics of Caste and Feminine Joy in Satyajit Ray’s Classic <em>Charulata</em>

On the Politics of Caste and Feminine Joy in Satyajit Ray’s Classic Charulata

TANAÏS on How the Narratives of Muslim Women and Femmes Are Not Merely About Representation

By TANAÏS | May 17, 2022

Best Reviewed
Books of the Week

The Annotated Nightstand: What Elamin Abdelmahmoud is Reading Now and Next

By Diana Arterian | May 17, 2022

Seema Reza on the Joy of Being (Completely) Alone

By Seema Reza | May 17, 2022

How to Make Sense of Profound Arbitrariness in a World That Is Suppose to Make Sense

By Keen On | May 17, 2022

Finally a History of Art That Includes Female and Non-White Artists

Finally a History of Art That Includes Female and Non-White Artists

Charlotte Mullins in Conversation with Andrew Keen

By Keen On | May 17, 2022

Lise Vesterlund on The No Club and How to Put a Stop to Women's Dead End Work

Lise Vesterlund on The No Club and How to Put a Stop to Women's Dead End Work

In Conversation with Andrew Keen

By Keen On | May 17, 2022

An Ode to Memory and Place: Readings by Brian Alan Ellis, Grant Faulkner, and Erin Calabria

An Ode to Memory and Place: Readings by Brian Alan Ellis, Grant Faulkner, and Erin Calabria

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | May 17, 2022

<em>Meat Me Halfway</em> by Brian Kateman, Read by Pete Cross

Meat Me Halfway by Brian Kateman, Read by Pete Cross

On the Future of Food

By Behind the Mic | May 17, 2022

On the Gnostic Ironies of Poets Nathaniel Mackey and Fanny Howe

On the Gnostic Ironies of Poets Nathaniel Mackey and Fanny Howe

Steven Toussaint Considers the Melding of Ambivalence and Political Commitment

By Steven Toussaint | May 16, 2022

Ada Limón on Why Being Witnessed Is Essential For an Artist

Ada Limón on Why Being Witnessed Is Essential For an Artist

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 16, 2022

Emily Bingham on the Material Culture of White America’s Song to Itself: “My Old Kentucky Home”

Emily Bingham on the Material Culture of White America’s Song to Itself: “My Old Kentucky Home”

“It was from the outset a blackface minstrel tune, entertainment built on slavery and the trade in human beings.”

By Emily Bingham | May 16, 2022

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