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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Features
Religion Meets the Swinging Sixties: How Western Christianity Confronted a Decade of Change
Diarmaid MacCulloch Explores the Relationship Between Ecclesiastical Tradition and New Morality
By
Diarmaid MacCulloch
| April 16, 2025
Ishion Hutchinson on Les Murray’s Sensory, Mozartian Poems
The Author of “Fugitive Tilt” Explores the Australian Poet’s Evocations of Nature
By
Ishion Hutchinson
| April 16, 2025
The Future Will be Translated:
A Manifesto in Three Lies
Chloe Garcia Roberts on the Reasons for Hope in the Field of Translation
By
Chloe Garcia Roberts
| April 16, 2025
“A Source of Amyuzmint.” On the Use of Bad Spelling in Early American Comedy
Gabe Henry Considers the Creative Intentions and Class-Based Undertones Behind Phonetic Writing
By
Gabe Henry
| April 16, 2025
The Cosmic Library
presents
The Brothers Karamazov: A Radio Play
Kicking Off the New Season
By
The Cosmic Library
| April 16, 2025
If I Was a Rich Girl, I’d Have All the Cover in the World: The Real Mean Girls of Classic Literature
Sanibel on Social Class, Undine Spragg, Becky Sharp, and Who Society Punishes in Art and Life
By
Sanibel
| April 15, 2025
Best Reviewed
Books of the Week
The Body Made Metaphoric: Heather Christle on Losing a Rib and Writing a Memoir
By
Heather Christle
| April 15, 2025
From Fact-Checking to Fiction: On the Multifaceted and Often Fruitless Pursuit of Truth
By
Austin Kelley
| April 15, 2025
What Working on Films Taught Me About Writing Fiction
By
Heather McGowan
| April 15, 2025
The Timeless, Timely Folk Novel: On Writing Fiction Influenced by Folk Songs
Seán Hewitt Explores Folk's Constant, Changing Repository of Stories
By
Seán Hewitt
| April 15, 2025
Genre Alert: Women Who Are Sexually Attracted to Airplanes... And Other Non-Sentient Objects
Celia Mattison on “Sky Daddy,” “Blob,” and the Allure of the Non-Human Love Interest
By
Celia Mattison
| April 14, 2025
Beyond Institutions: Why Black Empowerment Must Bridge the Opportunity Gap
Andre M. Perry on the Ongoing Struggle For Racial, Social and Economic Justice in America
By
Andre M. Perry
| April 14, 2025
Coming Undone: Telling the Stories of Women Who Burn It All Down
Claire Hoffman on Aimee Semple McPherson
By
Claire Hoffman
| April 14, 2025
“The Quiet,” a Poem by Aharon Shabtai
From the Collection “Requiem and Other Poems”
By
Aharon Shabtai
| April 14, 2025
The Incendiary Feeling of Freedom: On Phillis Wheatley Peters and the Poetry of Survival
Tiana Clark: “I believe it is through our collective imagination where we can remain free and where no one can touch us.”
By
Tiana Clark
| April 14, 2025
Lynne Tillman on Taming Wild Thoughts
In Conversation with Mitzi Rapkin on the First Draft Podcast
By
First Draft: A Dialogue on Writing
| April 14, 2025
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Page 54 of 1210
What to Watch: 6 British Mystery Series for Fans of
Vera
November 12, 2025
by
Kate Mailer
Twins and Doppelgängers: Why They Always Thrive in Thrillers
November 12, 2025
by
J.H. Markert
The Power of Setting Thrillers in Seemingly Idyllic Locales
November 12, 2025
by
Courtney Psak
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"