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On Writing and Sweating: How a Boutique Fitness Class Fueled My Novel

On Writing and Sweating: How a Boutique Fitness Class Fueled My Novel

Sheila Yasmin Marikar on Body by Simone and the Promise of Transformation

By Sheila Yasmin Marikar | October 20, 2022

Polenta, Pizza, Polenta-Pizza, Polizza, or Polenta Not-A-Pizza?

Polenta, Pizza, Polenta-Pizza, Polizza, or Polenta Not-A-Pizza?

Yotam Ottolenghi and Noor Murad Put a Twist on Classic Baked Polenta

By Yotam Ottolenghi and Noor Murad | October 20, 2022

How Dick Gregory Learned to Subvert Racist Audiences

How Dick Gregory Learned to Subvert Racist Audiences

“I went all the way back to childhood.”

By Dick Gregory | October 20, 2022

How I Created Community With a Ramones Fan Club

How I Created Community With a Ramones Fan Club

Kid Congo Powers on the Smartest, Dumbest Rock ’n’ Roll Band There Ever Was

By Kid Congo Powers | October 20, 2022

Jess Walter on Writing About Hope (Without Losing His Literary Cool)

Jess Walter on Writing About Hope (Without Losing His Literary Cool)

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | October 20, 2022

How the Story of a 2006 Murder Captures the Tragic Complexity of Inequality, Class, and Violence in 21st-Century America

How the Story of a 2006 Murder Captures the Tragic Complexity of Inequality, Class, and Violence in 21st-Century America

Nicholas Dawidoff in Conversation with Andrew Keen on Keen On

By Keen On | October 20, 2022

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
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  • Backtalker: An American Memoir
  • Glorious Country: How the Artist Frederic Church Brought the World to America and America to the World

The Women Could Fly by Megan Giddings, Read by Angel Pean

By Behind the Mic | October 20, 2022

How Augmented Technology Can Revolutionize the 21st-Century Factory and Make Work More Productive and Meaningful

By Keen On | October 20, 2022

“Eclectic, Refreshingly Wild, and Important.” Exploring the Archives of America’s Best Literary Journals

By Nick Ripatrazone | October 19, 2022

Zoology and Cartoons: Will McPhail on Drawing Funny Animals

Zoology and Cartoons: Will McPhail on Drawing Funny Animals

The New Yorker Cartoonist on the Schooling Behind the Doodles

By Will McPhail | October 19, 2022

How Sergei Diaghilev and the Ballets Russes Revolutionized Dance

How Sergei Diaghilev and the Ballets Russes Revolutionized Dance

Rupert Christiansen on the Modernization of Ballet

By Rupert Christiansen | October 19, 2022

Telling Stories of the Trans Experience is More Important Than Ever

Telling Stories of the Trans Experience is More Important Than Ever

Veronica Esposito on Rhea Ewing’s Fine

By Veronica Esposito | October 19, 2022

Why Family Isn’t Everything—And How We Can Create More Liberatory Alternatives

Why Family Isn’t Everything—And How We Can Create More Liberatory Alternatives

Sophie Lewis on the Capitalist and Patriarchal Underpinnings of Traditional Family Structures

By Sophie Lewis | October 19, 2022

Lessons From My Lovely Patients: Facing My Own Cancer Diagnosis as a Veterinary Oncologist

Lessons From My Lovely Patients: Facing My Own Cancer Diagnosis as a Veterinary Oncologist

Renee Alsarraf on the “deep bond that animals have with their human families.”

By Renee Alsarraf | October 19, 2022

A Million Voices: In the Praise of the Polyvocal Novel

A Million Voices: In the Praise of the Polyvocal Novel

Sara Lippmann Recommends Virginia Woolf, Bernadine Evaristo, Joshua Henkin, and More

By Sara Lippmann | October 19, 2022

George Saunders: Why the Revision Process is Critical for Building Fictional Worlds

George Saunders: Why the Revision Process is Critical for Building Fictional Worlds

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 19, 2022

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Page 473 of 1569
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    • Sarah Gailey On Horror, Grief, and the Lies We Tell Ourselves to Escape Our SufferingMay 13, 2026 by Sarah Gailey
    • The Things We Never Say
    • The Best Reviewed Books of the Week
    • "She s not a minimalist but Elizabeth Strout does more with less than any writer…"
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