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<em>Finding Me</em> by Viola Davis, Read by the Author

Finding Me by Viola Davis, Read by the Author

A Vulnerable, Electric Listen

By Behind the Mic | May 10, 2022

Reclaiming Pamela Moore from the Sisterhood of Sad Literary Girls

Reclaiming Pamela Moore from the Sisterhood of Sad Literary Girls

Emmeline Clein on the American Tradition of Fetishizing Women Writers, Then Forgetting Them

By Emmeline Clein | May 9, 2022

How <em>Ten Percent</em>, Like <em>Call My Agent!</em> Before it, Turns Celebrity Into Text

How Ten Percent, Like Call My Agent! Before it, Turns Celebrity Into Text

Alexis Gunderson on the British Remake of the Campy Celebrity Send-up

By Alexis Gunderson | May 9, 2022

Patrick McCabe Dreams of Driving an Excavator (or Being Bob Dylan’s Chauffeur)

Patrick McCabe Dreams of Driving an Excavator (or Being Bob Dylan’s Chauffeur)

A Conversation with the Author of Poguemahone

By Literary Hub | May 9, 2022

How Sylvia Sleigh’s Nude Male Portraits Subverted the Muse Narrative

How Sylvia Sleigh’s Nude Male Portraits Subverted the Muse Narrative

The Feminist Painter Who Resisted Objectification

By Ruth Millington | May 9, 2022

Whatever Ideas About Writing You Have It’s Really Just Something You Do (Or Don’t)

Whatever Ideas About Writing You Have It’s Really Just Something You Do (Or Don’t)

Colin Barrett on the Importance Letting His Characters Talk a Little Shite

By Colin Barrett | May 9, 2022

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

Behind the Scenes at Andy Warhol’s First Big Bash in “Vacant, Vacuous Hollywood”

By Mark Rozzo | May 9, 2022

Was Shakespeare a Plagiarist?

By Keen On | May 9, 2022

Lyrical Black Face: The Truth About “My Old Kentucky Home”

By Emily Bingham | May 9, 2022

“Nobody in the Water,” a Poem by Tayi Tibble

“Nobody in the Water,” a Poem by Tayi Tibble

Celebrating This Year's PEN World Voices Festival

By Tayi Tibble | May 9, 2022

Will Our Bodies Know What to Do at the End of the World?

Will Our Bodies Know What to Do at the End of the World?

Introducing the Queers at the End of the World Podcast

By Queers at the End of the World | May 9, 2022

Jacinda Townsend on What It Means to Mother

Jacinda Townsend on What It Means to Mother

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 9, 2022

Robin Hemley on Kafka and Writerly Ambition

Robin Hemley on Kafka and Writerly Ambition

From The History of Literature Podcast with Jacke Wilson

By History of Literature | May 9, 2022

Confessions From a Lifetime of Looking

Confessions From a Lifetime of Looking

Scenes from Laurie Stone’s Home Movies

By Laurie Stone | May 9, 2022

How Jews Made the Art World Modern

How Jews Made the Art World Modern

Charles Dellheim in Conversation with Andrew Keen

By Keen On | May 9, 2022

On the Moment Darrel Alejandro Holnes Started to Identify as a Poet

On the Moment Darrel Alejandro Holnes Started to Identify as a Poet

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 9, 2022

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Page 428 of 1213
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    • Atmospheric Settings in Murder MysteriesNovember 25, 2025 by S.D. House
    • Chasing the Memory of a Grandfather Who Faked His Own DeathNovember 25, 2025 by Kathy Bingham Turner and Leon Alligood
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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