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  • Craft and Criticism
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Art Buchwald in Paris: Fan Letters from Steinbeck, and an Invite to the Most Famous Wedding in the World

Art Buchwald in Paris: Fan Letters from Steinbeck, and an Invite to the Most Famous Wedding in the World

On the Legendary Humorist’s Time with Ben Bradlee, Humphrey Bogart, and the Windsors

By Michael Hill | June 13, 2022

Either/Both: Considering Literature’s Pervasive Motherhood/Creativity Divide

Either/Both: Considering Literature’s Pervasive Motherhood/Creativity Divide

Ariella Garmaise on Reading Elif Batuman and Sheila Heti (and Wanting Kids Anyway)

By Ariella Garmaise | June 13, 2022

How to Fit Balzac’s Magnificent Universe Onto the Big Screen?

How to Fit Balzac’s Magnificent Universe Onto the Big Screen?

Drew Johnson on Lost Illusions (1843) and Lost Illusions (2021)

By Drew Johnson | June 13, 2022

A Close Reading of Christina Rossetti’s Sensationally Bizarre Poem

A Close Reading of Christina Rossetti’s Sensationally Bizarre Poem "Goblin Market"

From The History of Literature Podcast with Jacke Wilson

By History of Literature | June 13, 2022

Linda Holmes on Changing Your Life Story

Linda Holmes on Changing Your Life Story

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | June 13, 2022

Sometimes You Have to Get Lost to Find What You Really Need to Write

Sometimes You Have to Get Lost to Find What You Really Need to Write

Hal Niedzviecki on the Very Modern Problem of Always Knowing Where You Are

By Hal Niedzviecki | June 13, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Why the Democrats Need to Start Listening to Rural America

By Keen On | June 13, 2022

Memories of the Pogroms: Understanding History Through Family Stories

By Lisa Brahin | June 13, 2022

“Love Poem Near the End of the World.” A Poem by Stephen Dunn

By Stephen Dunn | June 13, 2022

Soon Wiley on Marrying Literary and Genre Fiction in His Debut Novel

Soon Wiley on Marrying Literary and Genre Fiction in His Debut Novel

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 13, 2022

Gene Andrew Jarrett on Paul Laurence Dunbar, the Caged Bird That Sang

Gene Andrew Jarrett on Paul Laurence Dunbar, the Caged Bird That Sang

In Conversation with Andrew Keen

By Keen On | June 13, 2022

It’s Harder to Break a Circle Than a Line: Anwen Crawford on Art and Acts of Resistance

It’s Harder to Break a Circle Than a Line: Anwen Crawford on Art and Acts of Resistance

“But what if the problem, I said, is capitalism?”

By Anwen Crawford | June 13, 2022

What the Murder of an Indigenous American in 1722 Tells Us About the Dark Origins of the United States

What the Murder of an Indigenous American in 1722 Tells Us About the Dark Origins of the United States

Nicole Eustace in Conversation with Andrew Keen

By Keen On | June 13, 2022

The Annotated Nightstand: What Elisabeth Houston is Reading Now and Next

The Annotated Nightstand: What Elisabeth Houston is Reading Now and Next

A New (at Lit Hub) Series by Diana Arterian

By Diana Arterian | June 13, 2022

<em>Shadows of Berlin</em> by David R. Gillham, Read by Suzanne Toren

Shadows of Berlin by David R. Gillham, Read by Suzanne Toren

Historical Fiction from a Golden Voice

By Behind the Mic | June 13, 2022

On Discovering the First Fossil of a T. Rex

On Discovering the First Fossil of a T. Rex

In Hell Creek, Montana, With A Lot of Dynamite

By David K. Randall | June 10, 2022

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    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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