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Carrie Marshall Reads from <em>Carrie Kills A Man</em>

Carrie Marshall Reads from Carrie Kills A Man

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | November 16, 2022

Moral Panics Never Go Out of Style: On the Corrosive Effects of the Culture Wars

Moral Panics Never Go Out of Style: On the Corrosive Effects of the Culture Wars

Arlene Stein Considers the Racism and Homophobia at the Heart of Conservative Activism

By Arlene Stein | November 16, 2022

The New Adaptation of <em>Fleishman Is in Trouble</em> Knows What to Do with Its Extra Space

The New Adaptation of Fleishman Is in Trouble Knows What to Do with Its Extra Space

Jessie Gaynor on the FX Series Based on Taffy Brodesser-Akner’s Novel

By Jessie Gaynor | November 16, 2022

On Chuck Berry’s Early Literary Influences

On Chuck Berry’s Early Literary Influences

RJ Smith Recounts the Father of Rock and Roll's Childhood Occupation with Greatness

By RJ Smith | November 16, 2022

A Brief History of the Attempts to Unionize Walmart

A Brief History of the Attempts to Unionize Walmart

Rick Wartzman on the Behemoth’s Antipathy Toward Organized Labor

By Rick Wartzman | November 16, 2022

“In Some Ways Immigration is Like an Apocalypse.” Pete Hsu on Writing About the Aftermath of Immigrating

“In Some Ways Immigration is Like an Apocalypse.” Pete Hsu on Writing About the Aftermath of Immigrating

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 16, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

The Dramatic Consequences of Excluding Homecare Workers from Labor Rights

By Jamie K. McCallum | November 16, 2022

“What Is It You Actually Do?” Jack O’Brien on the Role(s) of a Theater Director

By Jack O'Brien | November 16, 2022

The Haunting of Hajji Hotak and Other Stories by Jamil Jan Kochai, Read by a Full Cast

By Behind the Mic | November 16, 2022

Listen to Chapter 27 of <em>Dracula</em>

Listen to Chapter 27 of Dracula

“We ride to death of some one. God alone knows who, or where, or what, or when, or how it may be…”

By Audiobook Break | November 16, 2022

How Living in Naples Changed Shirley Hazzard’s Life

How Living in Naples Changed Shirley Hazzard’s Life

“If you come to live there, come to know it, you will live in other times.”

By Brigitta Olubas | November 15, 2022

Black Culture as Design and Lifestyle: At Home with Jason Reynolds

Black Culture as Design and Lifestyle: At Home with Jason Reynolds

Jeanine Hays and Bryan Mason Showcase Black America’s Modern Soulful Style

By Jeanine Hays and Bryan Mason | November 15, 2022

Nick Hornby Understands the Pitfalls of Giving Novels as Gifts

Nick Hornby Understands the Pitfalls of Giving Novels as Gifts

The Author of Dickens and Prince Takes the Lit Hub Questionnaire

By Literary Hub | November 15, 2022

A Brief Excavation of the Bows, Arrows, and Chariots in King Tut’s Tomb

A Brief Excavation of the Bows, Arrows, and Chariots in King Tut’s Tomb

Toby Wilkinson Examines 18th-Dynasty Egyptian Technology

By Toby Wilkinson | November 15, 2022

On the Glorious Queerness of Metrical Narrative

On the Glorious Queerness of Metrical Narrative

Cat Fitzpatrick’s Celebration of “Absurd Embellishments”

By Cat Fitzpatrick | November 15, 2022

“Maybe Broccoli Doesn’t Like You Either” (Lot 151) On the Allure of Joan Didion’s Objects

“Maybe Broccoli Doesn’t Like You Either” (Lot 151) On the Allure of Joan Didion’s Objects

Mary Kate Frank Wonders at the Power We Give to Things

By Mary Kate Frank | November 15, 2022

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Page 328 of 1221
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    • A Brief, Disturbing History of Universal MonstersJanuary 15, 2026 by Keith Roysdon
    • Big Pimpin: Pimps in Black Pop Culture from the 1970s to the Early 2000sJanuary 15, 2026 by Michael Gonzales
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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