Literary Hub » Features

Live at the Red Ink Series: On Avoidance

Live at the Red Ink Series: On Avoidance

Featuring Sarah Thankam Mathews, Elissa Bassist, Melissa Lozada-Oliva, Sari Botton, and Kayla Maiuri

By Michele Filgate | November 10, 2022

Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body

Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body

In Conversation with Jordan Kisner on Thresholds

By Thresholds | November 10, 2022

Lessons From Fifty Years as a Progressive Agitator: Never Lie, Tell the Truth, Repeat Repeat Repeat

Lessons From Fifty Years as a Progressive Agitator: Never Lie, Tell the Truth, Repeat Repeat Repeat

David Fenton in Conversation with Andrew Keen on Keen On

By Andrew Keen | November 10, 2022

Builders and Destroyers: The Eleven Men (and One Woman) Who Authored 20th-Century Europe

Builders and Destroyers: The Eleven Men (and One Woman) Who Authored 20th-Century Europe

Ian Kershaw in Conversation with Andrew Keen on Keen On

By Keen On | November 10, 2022

Two Poems by Du Fu

Two Poems by Du Fu

From the Translated Collection In the Same Light

By Du Fu | November 10, 2022

On Self-Reflection, Stories, and and What Mirrors Really Tell Us

On Self-Reflection, Stories, and and What Mirrors Really Tell Us

“The narrative of your present is crafted by the past.”

By Sarah Fawn Montgomery | November 10, 2022

Best Reviewed
Books of the Week

Alive at the End of the World by Saeed Jones, Read by Saeed Jones

By Behind the Mic | November 10, 2022

How to Write a Novel with Three of Your Friends

By Kevin Alexander, Joe Keohane, and Alessandra Lusardi | November 9, 2022

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking Bones and All from Page to Screen

By Literary Hub | November 9, 2022

Diary of a Pilgrimage: Marking the Gravesite of Assia and Shura Wevill

Diary of a Pilgrimage: Marking the Gravesite of Assia and Shura Wevill

Emily Van Duyne’s Tribute to a “Lover of Unreason and an Exile”

By Emily Van Duyne | November 9, 2022

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

Veronica Roth’s Argument for Embracing the Unknown

By Veronica Roth | November 9, 2022

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 9, 2022

Alia Trabucco Zerán on Writing About Women Who Kill

Alia Trabucco Zerán on Writing About Women Who Kill

“Their crimes are a privileged window from which to observe how the very meaning of womanhood has changed over time.”

By Alia Trabucco Zerán | November 9, 2022

Hugh Bonneville on His Illustrious <em>Downton Abbey</em> Castmate, Maggie Smith

Hugh Bonneville on His Illustrious Downton Abbey Castmate, Maggie Smith

“We all knew Highclere Castle was the lead character. And we all knew that Maggie Smith ran a pretty close second.”

By Hugh Bonneville | November 9, 2022

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

Richard McCarthy in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

Steve Kemper in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

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