Suzanne Berne Asks Us, Why Write a Novel, Why Read a Novel, and Why Now?

Suzanne Berne Asks Us, Why Write a Novel, Why Read a Novel, and Why Now?

“I believe in the capacity of the novel, in its formal demonstration of the possibility for greater insight and compassion over time.”

By Suzanne Berne | January 10, 2023

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

In Conversation with Kashana Cauley, Kevin Maloney, Nyani Nkrumah, Jason Roeder, and Daniel Torday

By Teddy Wayne | January 10, 2023

Keri Blakinger on What It’s Like to Interview Someone on Death Row

Keri Blakinger on What It’s Like to Interview Someone on Death Row

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | January 10, 2023

Sean Adams: Melding Corporate Office Culture Into a Dystopian Horror Novel

Sean Adams: Melding Corporate Office Culture Into a Dystopian Horror Novel

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 10, 2023

Andrew Limbong Wonders If We Should Be Worried About the State of Reading

Andrew Limbong Wonders If We Should Be Worried About the State of Reading

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | January 10, 2023

What Does the Plight of Boston’s Black Workers in the Civil War Era Tell Us About Contemporary American Struggles?

What Does the Plight of Boston’s Black Workers in the Civil War Era Tell Us About Contemporary American Struggles?

Jacqueline Jones in Conversation with Andrew Keen on Keen On

By Keen On | January 10, 2023

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Christine Sneed on Leaning Into the Absurdity of Office Life

By I'm a Writer But | January 10, 2023

Can a 21st-Century Adaptation of Dale Carnegie’s 20th-Century Ideology Can Help Us Fix Our Future?

By Keen On | January 10, 2023

“What I Said on My Private Island Was Taken Out of Context!” On Celebrity Apologies

By Marjorie Ingall and Susan McCarthy | January 10, 2023

George Saunders on His First Love: Songwriting

George Saunders on His First Love: Songwriting

Mike Errico Talks to the Writer About His Alternative Life as an Almost Professional Musician

By Mike Errico | January 9, 2023

Unguilty Pleasures: My Year of Reading Romance Novels

Unguilty Pleasures: My Year of Reading Romance Novels

Katie Fustich on Finding New Possibilities in a Misunderstood Genre

By Katie Fustich | January 9, 2023

That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”

That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”

“With me an unfinished thing is a thing that might as well be rubbed out.”

By Matthew Hollis | January 9, 2023

Who Is the “Noted Writer” Buried in Sleepy Hollow Cemetery?

Who Is the “Noted Writer” Buried in Sleepy Hollow Cemetery?

Nicky Beer Searches For a Long-Lost Writer in the Family

By Nicky Beer | January 9, 2023

Shelf Talkers: What the Booksellers Are Reading at Point Reyes Books

Shelf Talkers: What the Booksellers Are Reading at Point Reyes Books

Recommendations from Booksellers in Point Reyes, CA

By Literary Hub | January 9, 2023

Peter Cole on Making the Poetic Abstract Concrete

Peter Cole on Making the Poetic Abstract Concrete

The Poet on His New Collection Draw Me After

By Literary Hub | January 9, 2023

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 9, 2023

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