Roger Reeves on Sensory Essays

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In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 28, 2023

Patrick Whitmarsh on Fiction's Response to Existential Crises

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From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 28, 2023

Katherine Clarke on the Buildings of Billionaires Row

Katherine Clarke on the Buildings of Billionaires Row

In Conversation with Andrew Keen on Keen On

By Keen On | August 28, 2023

The Greatest Velmas of History and Fiction

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Shaenon K. Garrity Takes Roll Call, from Agatha Christie to Harriet the Spy

By Shaenon K. Garrity | August 25, 2023

Was Marcel Proust A Comedian? On the Unexpected Humor of <em>In Search of Lost Time</em>

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Michael Wood Considers an Overlooked Aspect of the French Novelist's Body of Work

By Michael Wood | August 25, 2023

Looking Back at the Groundbreaking Puerto Rican Spanglish Novel <em>Yo-Yo Boing!</em>

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Rolando Pérez Reflects on Giannina Braschi's Translingual Boricua Classic

By Rolando Pérez | August 25, 2023

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Yves Jeffcoat on the Slow Work of Writing That Centers Identity

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Anya Kamenetz on the Compounding Crises of the Modern Age

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Dragons Are People Too: Ursula Le Guin’s Acts of Recognition

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Dotted Lines: On Writing and Humiliation Under Iranian Censorship

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"A time will come when our stories shall be told in their entirety."

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How <em>From Here to Eternity</em> Contradicted Post-War America’s Wholesome Notions

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M. J. Moore on James Jones’s 1951 Novel and Its Film Adaptation

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"The Therapist Asks Me, 'What Are You Afraid Of?'" A Poem by Taylor Byas

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