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Rick Bass on What Hunting Taught Hemingway About Writing

Rick Bass on What Hunting Taught Hemingway About Writing

”Death, and learning how to end a story: again, the woods made him into a writer.”

By Rick Bass | February 2, 2024

The Tremendous Power and Lasting Impact of <em>The Miseducation of Lauryn Hill</em>

The Tremendous Power and Lasting Impact of The Miseducation of Lauryn Hill

Nadirah Simmons Proposes Some Additional Awards for the Highly Decorated Album

By Nadirah Simmons | February 2, 2024

Paul Giamatti, <br>This One’s For You: In Praise of the King of Pathos

Paul Giamatti,
This One’s For You: In Praise of the King of Pathos

Olivia Rutigliano on the Actor Who Has Never Once Phoned in a Performance

By Olivia Rutigliano | February 2, 2024

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“She has found a way to tell a story that is artful, and humane, in the midst of disaster.”

By Book Marks | February 2, 2024

A Rich But Rare Genre: Exploring Islamic Historical Fiction

A Rich But Rare Genre: Exploring Islamic Historical Fiction

Jamila Ahmed Recommends Tariq Ali, Leila Aboulela, Suad Amiry, and More

By Jamila Ahmed | February 2, 2024

Fictionalizing Real Trauma as a Means of Healing

Fictionalizing Real Trauma as a Means of Healing

“The psychic burden would’ve been too great if I’d written the story as memoir.”

By Chris Cander | February 2, 2024

Best Reviewed
Books of the Week

  • Exit Party
  • Fallow
  • Our Noble Selves
  • Redwood: The Untold Story of the Cold War's Most Extraordinary Spy
  • The Newer World
  • End Times Fascism: And the Fight for the Living World
  • Anti-Zionism: A Jewish History
  • Call It Evil: Understanding the Trump Era
  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

The Literary Film & TV You Need to Stream in February

By Emily Temple | February 1, 2024

On What We Do (And Don’t) Understand About Tornadoes

By Nell Greenfieldboyce | February 1, 2024

Complex Nostalgia for a Bygone Era: Alex Auder on Her Chelsea Hotel Childhood

By Amanda Chemeche | February 1, 2024

The Annotated Nightstand: What Diana Khoi Nguyen is Reading Now and Next

The Annotated Nightstand: What Diana Khoi Nguyen is Reading Now and Next

Featuring Jennifer Ackerman, jos charles, and Jenny Erpenbeck

By Diana Arterian | February 1, 2024

Glenn North on Kansas City’s Jazz, Poetry, and Barbeque

Glenn North on Kansas City’s Jazz, Poetry, and Barbeque

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 1, 2024

January’s Best Reviewed Fiction

January’s Best Reviewed Fiction

Featuring New Titles by Álvaro Enrigue, Kaveh Akbar, Hisham Matar, Marie-Helene Bertino, and Kiley Reid

By Book Marks | January 31, 2024

The 12 Best Book Covers of January

The 12 Best Book Covers of January

Starting the Year Off Right

By Emily Temple | January 31, 2024

Paradise Lost: How the Transatlantic Slave Trade Helped Fuel Violent Conflict in West Africa

Paradise Lost: How the Transatlantic Slave Trade Helped Fuel Violent Conflict in West Africa

Hannah Durkin on the Memories of the Survivors of the Slave Ship “Clotilda”

By Hannah Durkin | January 31, 2024

Landlord, Teacher, Writer: Brandi Wells on Learning to Separate Themself From Their Job(s)

Landlord, Teacher, Writer: Brandi Wells on Learning to Separate Themself From Their Job(s)

“Reframing work is an ongoing and sometimes impossible-seeming process.”

By Brandi Wells | January 31, 2024

AudioFile’s Best Audiobooks of January

AudioFile’s Best Audiobooks of January

The Month in Literary Listening

By Audiofile Magazine | January 31, 2024

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    • Iceland Noir: A Roundtable DiscussionSeptember 18, 2026 by Molly Odintz
    • Naomi Kaye on the Legacy of the Jonestown Massacre in LiteratureSeptember 18, 2026 by Naomi Kaye
    • Kisses and Killers: Kim Harrington's Favorite Rom Com MysteriesSeptember 18, 2026 by Kim Harrington
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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