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  • Craft and Criticism
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On the Pitfalls of Book Promotion in the Internet Age

On the Pitfalls of Book Promotion in the Internet Age

For Tom Rachman Being a Novelist “Retains a Shimmer of Prestige with Only a Glimmer of the Audience.”

By Tom Rachman | June 26, 2023

What Suitcases Taught Ana Menéndez About Art, Exile, and Poetry

What Suitcases Taught Ana Menéndez About Art, Exile, and Poetry

The Author of The Apartment on Learning to Trust In Our Destinations

By Ana Menéndez | June 26, 2023

How a Venetian Monk Created the First Annotated Map of the World

How a Venetian Monk Created the First Annotated Map of the World

Meredith F. Small on the Textual Cartography of Fra Mauro

By Meredith F. Small | June 26, 2023

Isabella Hammad: The Idea of Apolitical Art is Very Political

Isabella Hammad: The Idea of Apolitical Art is Very Political

The Author of Enter Ghost in Conversation With Olivia Watson

By Olivia Watson | June 26, 2023

Literature in the Bardo: Tenzin Dickie on the Past, Present, and Future of the Tibetan Essay

Literature in the Bardo: Tenzin Dickie on the Past, Present, and Future of the Tibetan Essay

“The essay—as act of truth—changes not just the writer but also the reader.”

By Tenzin Dickie | June 26, 2023

R.K. Russell on Being Black and Bisexual in the National Football League

R.K. Russell on Being Black and Bisexual in the National Football League

In Conversation with Andrew Keen on Keen On

By Keen On | June 26, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Jackson Lears on the American Pursuit of Vitality From Walt Whitman to Donald Trump

By Keen On | June 26, 2023

Kelcey Ervick on Graphic Novels, Literary Collage, and Poetry Comics

By Memoir Nation | June 26, 2023

Michelle Brafman on Love Addiction as Fuel for Plot

By First Draft: A Dialogue on Writing | June 26, 2023

Revisiting <em>The Graduate</em>: Is It Outdated?

Revisiting The Graduate: Is It Outdated?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | June 26, 2023

Jason Del Rey on the Amazon vs. Walmart War For Our Wallets, Bodies, and Souls

Jason Del Rey on the Amazon vs. Walmart War For Our Wallets, Bodies, and Souls

In Conversation with Andrew Keen on Keen On

By Keen On | June 26, 2023

Garrett Neiman on Uprooting the Old Boy’s Club in Order to Transform America

Garrett Neiman on Uprooting the Old Boy’s Club in Order to Transform America

In Conversation with Andrew Keen on Keen On

By Keen On | June 26, 2023

Against the Cynicism Cycle: Why TV Could Do with Less Moral Grayness

Against the Cynicism Cycle: Why TV Could Do with Less Moral Grayness

Noah Ciubotaru Wonders if We’ve Given Antihero Stories Too Much Credit

By Noah Ciubotaru | June 23, 2023

Jessie Gaynor on Finding the <em>Why</em>

Jessie Gaynor on Finding the Why

“A love of the micro need not preclude attention to the macro.”

By Jessie Gaynor | June 23, 2023

Between Fear and Resignation: How German Writers Reacted to Hitler’s Rise

Between Fear and Resignation: How German Writers Reacted to Hitler’s Rise

Uwe Wittstock on Intellectual Suppression in the Early Days of Nazi Terror

By Uwe Wittstock | June 23, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring New Titles by Lorrie Moore, K Patrick, Alexander Stille, and More

By Book Marks | June 23, 2023

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Page 227 of 1207
    • 10 New Books Coming Out This WeekNovember 3, 2025 by CrimeReads
    • Arthur Conan Doyle, Jack the Ripper and the Fact and Fiction of Criminal ProfilingNovember 3, 2025 by Rachel Corbett
    • Crime and the City: Falkland IslandsNovember 3, 2025 by Paul French
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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