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  • Craft and Criticism
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A Distinct Medium: How English Became a South Asian Literary Language

A Distinct Medium: How English Became a South Asian Literary Language

Liesl Schwabe on the Vision and Legacy of an Independent Press in Kolkata, India

By Liesl Schwabe | September 7, 2023

A New Era for Boarding School Literature

A New Era for Boarding School Literature

Emma Staffaroni on the End of a (Problematic) Fairy Tale

By Emma Staffaroni | September 7, 2023

Brendan Shay Basham on the Similarities Between the Chef Life and the Writing Life

Brendan Shay Basham on the Similarities Between the Chef Life and the Writing Life

"Processes are a series of moments in passing."

By Brendan Shay Basham | September 7, 2023

<em>The Changeling</em> Brings a Genre-Bending Fable of Family to the Screen

The Changeling Brings a Genre-Bending Fable of Family to the Screen

Rebecca Ackermann on the New Series Adaptation of Victor LaValle’s Literary Horror Novel

By Rebecca Ackermann | September 7, 2023

Acting Out a Life: How to Write Novels About Real People

Acting Out a Life: How to Write Novels About Real People

Gill Paul on the Craft of Historical Fiction and the Limits of Biography

By Gill Paul | September 7, 2023

The Annotated Nightstand: What Myriam Gurba is Reading Now and Next

The Annotated Nightstand: What Myriam Gurba is Reading Now and Next

Featuring Ann Petry, Victor LaValle, Leslie Marmon Silko, and More

By Diana Arterian | September 7, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Maurice Carlos Ruffin on the History of Powerful Black Women Challenging the Establishment

By Fiction Non Fiction | September 7, 2023

Stacey Mei Yan Fong on Doing What You Want in Your Own Kitchen

By So Many Damn Books | September 7, 2023

Elise Loehnen on the Seven Deadly Sins

By Just the Right Book | September 7, 2023

Myriam Gurba on Writing the Visceral

Myriam Gurba on Writing the Visceral

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 7, 2023

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

Andrea Long Chu on Zadie Smith, Jonathan Dee on Ariel Dorfman, James Wood on George Eliot, and More

By Book Marks | September 7, 2023

25 Novels You Need to Read This Fall

25 Novels You Need to Read This Fall

Enjoy with Your PSL

By Emily Temple | September 6, 2023

"Tolstoy did not neglect to describe the outhouses": Yiyun Li on the Material Concerns of Characters and Writers

The Author of Wednesday’s Child on Class, Money, Joy, and Luxury

By Yiyun Li | September 6, 2023

A Fearless, Free, Literary Space: On Writers' Diaries

A Fearless, Free, Literary Space: On Writers' Diaries

Isabella Trimboli on Alix Cléo Roubaud, Marie Bashkirtseff, Anne Charlotte Robertson, and More

By Isabella Trimboli | September 6, 2023

Beyond the True-False Binary: How the Internet Helped Transform the Lyric Essay

Beyond the True-False Binary: How the Internet Helped Transform the Lyric Essay

Hugh Ryan on Truth and Post-Truth in Creative Nonfiction

By Hugh Ryan | September 6, 2023

Toward Black Wonder: How Nicole Sealey Makes Erasure a New Way of Seeing

Toward Black Wonder: How Nicole Sealey Makes Erasure a New Way of Seeing

Safiya Sinclair on Ferguson Report: An Erasure

By Safiya Sinclair | September 6, 2023

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    • "Not much happens In fact there is much in the text that is not made…"
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