Literary Hub » Features

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Salar Abdoh on Love, War and the Historical Forces That Inspire Art

By Salar Abdoh | November 7, 2023

Whose Community Is It Anyway?

Whose Community Is It Anyway?

Casey Plett on how Politicians, Media, and Corporations Co-Opt Language

By Casey Plett | November 7, 2023

Christopher Clark on the Extraordinary Events of 1848-1849

Christopher Clark on the Extraordinary Events of 1848-1849

In Conversation with Toby Mundy on the Baillie Gifford Prize Podcast, Read Smart

By Read Smart | November 7, 2023

Ed Conway on the Global Extractive Economy

Ed Conway on the Global Extractive Economy

In Conversation with Andrew Keen on Keen On

By Keen On | November 7, 2023

Liquid Repetition: Drew Johnson on the Experience of Reading Marguerite Young’s <em>Miss Macintosh, My Darling</em>

Liquid Repetition: Drew Johnson on the Experience of Reading Marguerite Young’s Miss Macintosh, My Darling

"The book was an artifact upon arrival, a tricky thing for the new of avant-garde to be."

By Drew Johnson | November 7, 2023

Amy Kurzweil on the Open Questions of the Future

Amy Kurzweil on the Open Questions of the Future

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | November 7, 2023

Best Reviewed
Books of the Week

Marina Abramović on Her Expansive View of Art-Making

By Talk Easy | November 7, 2023

How American Critics Originated Jane Austen Scholarship

By Juliette Wells | November 6, 2023

Writing Discipline Envy: Tracy K. Smith Wakes Early and Meditates

By Tracy K. Smith | November 6, 2023

In Search of Hidden Family History in the Late Ottoman Empire

In Search of Hidden Family History in the Late Ottoman Empire

Alice Sparberg Alexiou on Love and Loss From Jerusalem to Izmir

By Alice Sparberg Alexiou | November 6, 2023

How Diane Seuss Wrote The Poem That Matters Most to Her

How Diane Seuss Wrote The Poem That Matters Most to Her

The Poet Explains the Creative Process Behind "Still Life with Two Dead Peacocks and a Girl"

By Literary Hub | November 6, 2023

What the Marabou Stork Taught Me About Writing in an Era of Mass Extinction and Waste

What the Marabou Stork Taught Me About Writing in an Era of Mass Extinction and Waste

Ashia Ajani on Figuring Out How to Thrive During an Apocalypse

By Ashia Ajani | November 6, 2023

On Art, Music and the Humanist Spirit in the Face of Nazi Atrocities

On Art, Music and the Humanist Spirit in the Face of Nazi Atrocities

From Jeremy Eichler's Baillie Gifford Prize Shortlisted Time's Echo

By Jeremy Eichler | November 6, 2023

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

"I may not know exactly where I’m going when I start a piece of writing, but I’m sure I can find my way"

By Virginia Pye | November 6, 2023

The Lifesaving Potential of Latin American Passports in the Warsaw Ghetto

The Lifesaving Potential of Latin American Passports in the Warsaw Ghetto

Roger Moorhouse on the Story of the Desperately Sought-After Document

By Roger Moorhouse | November 6, 2023

Tan Twan Eng on Making Readers Angry About History

Tan Twan Eng on Making Readers Angry About History

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 6, 2023

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