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“I’m Not Really Interested in Creating Sympathetic Characters.” Rachel Connolly Talks to Lucie Elven

“I’m Not Really Interested in Creating Sympathetic Characters.” Rachel Connolly Talks to Lucie Elven

The Author of Lazy City on Creative Intentionality and Subverting the Trauma Plot

By Lucie Elven | December 18, 2023

Bedridden Listening: Sarah Wheeler on the Transformative Experience of Listening to Audiobooks While Ill

Bedridden Listening: Sarah Wheeler on the Transformative Experience of Listening to Audiobooks While Ill

The Co-Host of Mother Culture on Becoming a Different Kind of Reader

By Sarah Wheeler | December 18, 2023

Sakiru Adebayo on the Diasporization of African Literature

Sakiru Adebayo on the Diasporization of African Literature

Writing Without the Certainty of Return

By Sakiru Adebayo | December 18, 2023

Paul Harding on Receiving Gifts from the Universe

Paul Harding on Receiving Gifts from the Universe

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | December 18, 2023

Baron Wormser on the Subtle Art of Attunement

Baron Wormser on the Subtle Art of Attunement

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | December 18, 2023

Max Marshall on the Darkness Behind Fraternities

Max Marshall on the Darkness Behind Fraternities

In Conversation with Andrew Keen on Keen On

By Keen On | December 18, 2023

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Andrea Elliott on Her Passion for Immersive Journalism

By Sun Valley Writers' Conference | December 18, 2023

More Than a Satire: American Fiction is a Poignant Reflection on Existence

By Olivia Rutigliano | December 15, 2023

Ferrari Performs an Opera of Capitalism and Comes Up Loud

By Frank Falisi | December 15, 2023

Martín Solares on Creating Novelesque Excitement

Martín Solares on Creating Novelesque Excitement

“A story is novelesque when it provokes in the reader, at regular intervals, the burning question: What will happen next?”

By Martín Solares | December 15, 2023

Fierce, Fearless and Fun: How Maggie Higgins Broke New Ground For Women in Journalism

Fierce, Fearless and Fun: How Maggie Higgins Broke New Ground For Women in Journalism

Jennet Conant on the Adventures of One of America's First Female Foreign Correspondents

By Jennet Conant | December 15, 2023

Writing in Tandem: Inside the Process of Cross-Racial Creative Collaboration

Writing in Tandem: Inside the Process of Cross-Racial Creative Collaboration

Christine Platt and Catherine Wigginton Greene on the Challenges and Benefits of Co-Authorship

By Christine Platt and Catherine Wigginton Greene | December 15, 2023

Georges Ugeux on Wall Street’s Assault on Democracy

Georges Ugeux on Wall Street’s Assault on Democracy

In Conversation with Andrew Keen on Keen On

By Keen On | December 15, 2023

How We Spend Our Days: On <em>Wintering</em> and the Value of Giving and Taking Care

How We Spend Our Days: On Wintering and the Value of Giving and Taking Care

Amanda Parrish Morgan Considers the Lessons of a Long Pandemic Season

By Amanda Parrish Morgan | December 14, 2023

Tracy K. Smith on Liberty

Tracy K. Smith on Liberty

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | December 14, 2023

Sarcasm as Global Export; Or an Ode to Matthew Perry’s Chandler Bing

Sarcasm as Global Export; Or an Ode to Matthew Perry’s Chandler Bing

Shaan Sachdev on the Best Global Export to Come from Friends

By Shaan Sachdev | December 14, 2023

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