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July’s Best Reviewed Nonfiction

July’s Best Reviewed Nonfiction

Featuring Love at Sea, Amelia Earhart, the Roma, and More

By Book Marks | July 31, 2025

Eric Puchner on Humor, Craft, and Creating “Perfect Ambivalence” on the Page

Eric Puchner on Humor, Craft, and Creating “Perfect Ambivalence” on the Page

The Author of “Dream State” in Conversation with Jessie Gaynor

By Jessie Gaynor | July 31, 2025

The Most Anticipated Audiobooks of August

The Most Anticipated Audiobooks of August

The Literature to Listen to This Month

By Audiofile Magazine | July 31, 2025

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“If Vivian Gornick wrote fiction, it might look something like this.”

By Book Marks | July 30, 2025

Form, Method, and Metafiction: Talking Craft and Completion with Ed Park

Form, Method, and Metafiction: Talking Craft and Completion with Ed Park

Eric Olson Profiles the Author of “An Oral History of Atlantis”

By Eric Olson | July 30, 2025

How Medical Misogyny Impacted the Treatment of Women’s Migraines

How Medical Misogyny Impacted the Treatment of Women’s Migraines

Tom Zeller Jr. Explores the Gendered Dimension of Neuroscience In the 20th Century

By Tom Zeller Jr. | July 30, 2025

Best Reviewed
Books of the Week

  • Exit Party
  • Fallow
  • Our Noble Selves
  • Redwood: The Untold Story of the Cold War's Most Extraordinary Spy
  • The Newer World
  • End Times Fascism: And the Fight for the Living World
  • Anti-Zionism: A Jewish History
  • Call It Evil: Understanding the Trump Era
  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

The Art of Lying: Kate Weinberg on the Similarities Between Fibs and Fiction

By Kate Weinberg | July 30, 2025

The Annotated Nightstand: What Daniel Saldaña Paris is Reading Now, and Next

By Diana Arterian | July 30, 2025

Roy Williams on Dael Orlandersmith’s Yellowman

By Windham-Campbell Prizes Podcast | July 30, 2025

An Open Letter to the Portland Book Festival

An Open Letter to the Portland Book Festival

“We ask you to say ’no’ to sponsorship from banks that profit from and facilitate the destruction of Palestine.”

By Literary Hub | July 29, 2025

Ed Park Can’t Stop Thinking About Zabar’s Strudel

Ed Park Can’t Stop Thinking About Zabar’s Strudel

The Author of “An Oral History of Atlantis” Takes the Lit Hub Questionnaire

By Literary Hub | July 29, 2025

Drawing Motherhood: Four Graphic Memoirists Discuss Their Books on Parenting Life

Drawing Motherhood: Four Graphic Memoirists Discuss Their Books on Parenting Life

Rachel Deutsch Talks to Teresa Wong, Becky Barnicoat and Mary Catherine Starr

By Rachel Deutsch | July 29, 2025

White Sugar, Black Bodies: How Slavery Fueled an 18th-Century British Obsession

White Sugar, Black Bodies: How Slavery Fueled an 18th-Century British Obsession

Mathelinda Nabugodi Explores the Violent Shared History of a Popular Consumer Product and Colonial Power in the Caribbean

By Mathelinda Nabugodi | July 29, 2025

“On Bilocation,” a Poem by Remi Graves

“On Bilocation,” a Poem by Remi Graves

From the Collection “coal”

By Remi Graves | July 29, 2025

Ha Jin on the Transcendent and Universal Power of Artistic Practice

Ha Jin on the Transcendent and Universal Power of Artistic Practice

“In literature I have found a landscape or galaxy that is vaster and more enduring than a country or a state.”

By Ha Jin | July 28, 2025

Small Book, Big Ideas: <em>Harold and the Purple Crayon</em> and the Art of Imagination

Small Book, Big Ideas: Harold and the Purple Crayon and the Art of Imagination

Philip Nel on the Enduring Cultural Legacy of a Children’s Classic

By Philip Nel | July 28, 2025

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    • Iceland Noir: A Roundtable DiscussionSeptember 18, 2026 by Molly Odintz
    • Naomi Kaye on the Legacy of the Jonestown Massacre in LiteratureSeptember 18, 2026 by Naomi Kaye
    • Kisses and Killers: Kim Harrington's Favorite Rom Com MysteriesSeptember 18, 2026 by Kim Harrington
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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