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Craft and Criticism
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On Translation
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From the Novel
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Politics
Biography
Memoir
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Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
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The Lit Hub Podcast
Awakeners
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The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
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The Best of the Decade
Book Marks
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True Crime
The Daily Thrill
Log In
Politics
Yes, Sydney, Australia in the 1960s Was the Drag Capital of the World
Amid Deep-Rooted Homophobia, Titillating and Fantastically Glamorous Shows Were Annual Events
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Craig Seligman
| March 3, 2023
The Brave Women Who Saved the Collected Texts of Hildegard of Bingen
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Janina Ramirez
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Andrea Dunlop on Why Today is Such a Rage-Inducing Moment to Be a Woman
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Robert Pickering on the Rights and Wrongs of Banks and Bankers
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A Piece of Whalebone, a Butcher’s Shop, a Tailor: The Makings of A Pioneer Abortionist
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Reading Ron DeSantis’s dull ChatBot prose for the MAGA speak it really is.
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In the Hour of War: Carolyn Forché and Ilya Kaminsky on Contemporary Ukrainian Poetry
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Erik Conway on How American Business Taught Us to Loathe Government and Love the Free Market
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Daniel Hatcher on How the US Criminal Justice System Commodifies Children and the Poor
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Paul Stephan: Is There a Crisis in the Knowledge Economy?
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How China’s Uyghurs Are Marginalized and Subjugated by the State
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How Outraged Should We Be By the New York Police Department?
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Jonathan Wilson on Whether Palestine Was a Jewish “State in Waiting” During the 1930s
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How Nigeria’s Ideological and Ethnic Map Reflects Its Enduring Divides
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Emmanuel Iduma
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Page 49 of 225
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"Not much happens In fact there is much in the text that is not made…"